From the local free tabloid, the Cork Independent. My first (last?) fluff piece…

How many members of the (semi-fictional) trans-national tribe of latter-day improvising musicians can say they’ve done a fluff piece, huh? (Not counting the blindfold tests.) Braxton? Crispell? Parker? Ha! I don’t think so….
The newspaper piece was by Graham Lynch, with a photo by John Hough.