For those of you who were interested in such things… a couple of exercises/studies (the second inspired by one of Brahms’) I’ve been working on for a few days. Very rough, and very much work-in-progress. No commentary or breakdown (yet), but let me know if you have questions. More to come…
One thing I will say: working through these, it’s an odd feeling knowing that none of this will appear (sound) in my on-stage playing for a few years, but that, when it does surface, it will likely be as much (or more) a surprise to me as anyone.