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audio recordings: Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

…Gallery, Cork. Recorded and mixed by Han-earl Park. //www.busterandfriends.com/ http://www.sarc.qub.ac.uk/~fschroeder/ Above recordings ( , and ) released under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. Please attribute the recordings to Han-earl Park and Franziska Schroeder. updates 04–22–12: withdraw tracks in anticipation of the rerelease. 06–12–12: new edition released! [Listen, download and more…]…

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Prepared Guitar: 13 Questions

…ssible… I’m not sure at all where this is leading, but having through some combination of ideology and necessity (ain’t it always the way?) found myself somewhat involuntarily in the ‘Total Improvisation’ camp, I’m beginning to look on the other side of the fence. Let me be clear, the, to borrow Lewis’ term, Eurological conception of the score and the practice that surrounds it (theorized in detail by Small, Cusick, Nicholas Cook and others), with…

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Taran’s Free Jazz Hour: io 0.0.1 beta++

…CD ‘io 0.0.1 beta++’! Hear the track ‘Discovery: Intermodulation’ on the latest edition of Taran’s Free Jazz Hour. [More…] ‘io 0.0.1 beta++’ (SLAMCD 531) will be released by SLAM Productions in August 2011. Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). © 2011 Han-earl Park. β„— 2011 SLAM Productions. Facebook Twitter Bluesky Mastodon Email More…

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The Sound Projector: Numbers: Richard Barrett + Han-earl Park

…ve the abiding mental image of two unfazed chess players sitting in a deep-freeze unit, weaving complex theorems while remaining almost immobile in large leather armchairs. The music has that degree of rigid control, of brittle precision, even when the structure appears at its maddest and the musical data is flying wildly beyond the point of interpretation. The value of this music as a form of invented language is emphasised by the odd titles, ‘to…

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performance diary 04-14-15 (Belfast, Cambridge, London, Manchester)

…on: £8 (£5). [Details…] [Boat-ting page…] May 29 and 30, 2015 Sonic Arts Research Centre Queen’s University Belfast, N. Ireland Program… Han-earl Park participates in the Just Improvisation symposium organized by Translating Improvisation. Admission free. [Details…] [Translating Improvisation page…] 2015– Europe I am based in Europe as of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Number…

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performance: Call them Improvisors! at Sonorities 2010

…s festival is a celebration of improvisation with one of the most renowned free improvisors of our time – saxophonist Evan Parker. A day of workshops and rehearsals led by Parker culminates in a public performance by an improvisation collective especially created for this event with musicians from around the world including Mark Trayle (electronics), Gascia Ouzounian (violin), Chris Brown (piano), Paul Stapleton (percussion), Dan Goren (trumpet),…

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Revue & CorrigΓ©e: Numbers: Richard Barrett + Han-earl Park

…t dans la tradition “post Derek Bailey” avec une saine volonté d’en découdre (cet artiste est aussi concepteur de systèmes interactifi originaux). Sportif et dynamique. Thanks to Lê Quan Ninh for helping source the text of the review. ‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings. [More info…] [All reviews…] [Get the CD…] Facebook Twitter Bluesky Mastodon Email More Tumblr Threads Reddit WhatsApp Telegram Pinterest Pocket Prin…

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audio recordings: Han-earl Park plus Marian Murray (Cork, 07–29–10)

…the Lewis Glucksman Gallery, Cork. Recorded and mixed by Han-earl Park. //www.busterandfriends.com/ Above recordings ( ; ; and ) released under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. Please attribute the recordings to Han-earl Park ( ; and ), and to Marian Murray and Han-earl Park ( ). Still available… The complete recording of the March 26, 2009 performance by Franziska Schroeder and Han-earl Park….

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Point of Departure: Mathilde 253

…int. Hayward has a very distinct sense of time underneath the freedom…. This is an exciting new venture for him and for the others. One can reasonably expect unexpected things from Park, who is a delightful shape-shifter and Smith always repays the closest attention, and claims it with sudden open-horn breakouts if the fabric of the music gets too smooth and uninflected. [Read the rest…] — Brian Morton (Point of Departure) Mathilde 253’s eponymous…

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Thanks: Eris 136199 (London, Lisbon and Dublin, August 2019)

…ons on the tour, the ensemble is the composition, and it was a pleasure to study this composition more fully with each performance: experiencing the music of changes from energetic play of weight and light (Vortex, London), high-risk explorations of the outer reaches of idiom (Hackney Road, London), games of serendipity and of disjunction (Lisbon), and music of counterpoint and real harmony (Dublin). By Eris 136199 Eris 136199 (BAF001) [details…]…

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Gonggong 225088 on Freeness, BBC Radio 3

…n again to Corey Mwamba’s Freeness on BBC Radio 3, and catch the extended preview of Gonggong 225088, my upcoming album with Yorgos Dimitriadis and Camila Nebbia. On the show, Corey described our music as having “fluid, pliable motion”: And the synergy between them is electrifying…. So much intensity in that music. Even when the volume goes down the intensity is still there. [Listen to the rest…] A big thanks to producer Silvia Malnati at Freeness…

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Chain D.L.K.: Numbers: Richard Barrett + Han-earl Park

…d), Vito Camarretta imagines an unfortunate scenario for an “accountant, a computer expert or an operational researcher”, and describes an “acoustic lucid computational delirium, whose trajectory is impossible to outguess”: You can easily imagine an accountant, a computer expert or an operational researcher in the act of falling prey of frightening hallucinations after a session of intensive work on numerical models, impressive balance sheets or o…