At Friday’s solo set I found myself in spaces I had not occupied in a while—some techniques I hadn’t really leaned into in years. I wondered, without prep, if I could make something from these. Enjoy!
A quick’n’dirty improvisation—just something to try out a simplified recording and mixing setup. I have no idea if this one is any good. It’s what it is. (At least, as promised, it’s a first-take improvisation.)
As always, please hit me in the comments with any questions… although, as I went into this one with no plan, I’m not sure how helpful my answers might be. Regardless, thanks so, so much for listening!
I’m happier with my playing than maybe ever (long-time friends and comrades will know how rare a statement that is coming from me). So catch me in this creative state while you still can!
PAS
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:30pm (doors: 8pm)
Han-earl Park (guitar). Also performing: HOCUS (João Almeida: trumpet, electronics, fx), and Ian Douglas-Moore (electroacoustic guitar) and Eric Wong (electronics, speakers). [Details…]
[PAS page…] [Facebook event…]
A short, improvisative meditation on snaps and grids (or should that be unsnaps and degrids?). Simple, modest—nothing at all complicated—but it does exactly what I set out to do.
It’s been a couple of months since this trio last hit the stage, but each time is different, and every time is special. I am so very much looking forward to playing again with Camila and Yorgos, and excited to be finally taking this trio out of its birth city. See you at Manufaktur!
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
I love what’s recorded (and sculpted) here as sound. There are behind-the-scenes stories about an impossible group emerging from the debris of lockdown and the tangles of inter-border bureaucracy (stories for another time). But also, to my ears as a listener, there’s something tricky and oblique about our music—an origami of fire music and improvisative mischief—knotted, folded-on-itself, and, at time, joyously vexed.
Yet, the feeling on-stage, it’s all near effortless ‘and then’s and ‘therefore’s; of effects and reactions, but also reframings and reflections and retroactions. We went, I think, to a lot of unexpected places in that one session.
So sit-back in your favorite sofa or beanbag, or, headphones ready, go for a wander and a walk, or maybe sit at the table with a good book, and enjoy the journey. [Read the rest…]
I’m very, very happy with the music on this album, and feel very privileged to have shared this journey with the creative people on-stage, and behind-the-scenes. Please enjoy the noise!
Catch a track (‘Autopoiesis VI’) from Gonggong 225088! The extended preview will premiere at 5pm CEST* on Thursday, May 23, 2024! [Click ‘notify me’…]
By turns light-as-a-feather, and heavy and prickly as a bucket of rusty nails, the music is of contradiction and ambiguity. Leaps into ’90s HatHut pastiche are followed by truckers-in-space-engine-rumbles; slow-crawls-from-the-swap of irony-free ‘bells’n’smells’ sound art followed by turns-turns-turns-on-a-dime mutant Free Funk. [More…]
Click ‘notify me’, and be ready with your headphones (and popcorn), and join me on Thursday for some origami fire music!
* 17:00 CEST, 15:00 UTC, 11:00 EST, and 8:00 PST. (Or: 12am in Seoul, 6pm in Athens, 12pm in Buenos Aires, and 5pm in Berlin.).
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
