Broken Families: Collectivism, Violence, Imagined Utopias and Improvisation (a twitter transcript)

Just Improvisation: workshop performance (Belfast, May 30, 2015). Photo copyright 2015 Translating Improvisation.
Just Improvisation: workshop performance (Belfast, May 30, 2015). Photo © 2015 Translating Improvisation. [Original…]

Simon Rose: “Did you know how loud you were?”
Han-earl Park: “Oh. Yes.”
Rose: “I thought you did.”

Thoughts and questions in response to Translating Improvisation’s symposium back in May from the POV of an institutionally unaffiliated, sometimes teacher, amateur scholar and anthropologist [previous twitter transcripts…]. Below the fold is an unedited twitter transcript of my observations from Just Improvisation. My original observations came in the form of tweets (some written ‘live’, most posted subsequently) via @hanearlpark that spanned the first panel discussions, Ellen Waterman’s keynote presentation, concert performances by Okkyung Lee and Maria Chavez, the Deep Listening Workshop with Pauline Oliveros, and the workshop-performance which forms the main subject of my discussions.

My questions and observations are indebted to discussions with @franzschroeder, @wildsong, @tomarthursmusic, @pauljstapleton, @MortButane, @olivep, @davekanemusic, @zeittraumism, @nickreynoldsatp and @JoshSinton both on- and off- the twitterverse.

The rants (and typos), however, are entirely my own 😉

Twitter transcript (unedited)

Responses to Symposium Day 1: Belfast, May 29, 2015

May 29: Let’s start this w/ informal, visible demographic survey (a la #isim2014 #amspittsburgh #rsa2014)… #amateuranthropology #justimprovisation

May 29: …Suits. Lots* of suits. #amateuranthropology #justimprovisation

May 29: …* ‘Lots’ may be relative.** #amateuranthropology #justimprovisation

May 29: …** ‘Relative’ may speak more to the prejudices of the observer. #amateuranthropology #justimprovisation

May 29: ‘Adversity’ noun: “difficulties; misfortune”… #justimprovisation

May 29: …Potential tripping hazard in interdisciplinary meetings? possible misunderstanding(s) (creative or otherwise)? … #justimprovisation

May 29: …What is, for eg, the relationship btwn ‘adversity’ and ‘struggle’? #justimprovisation

May 29: …‘Adversity’ is not a term afaik improvisers enroll in their discussions, but ‘struggle,’ yes, often, maybe always. #justimprovisation

May 29: …Also ‘difficulty,’ ‘problematic,’ ‘risk’—difficult/problematic terms w/ differing creative/social ramifications. #justimprovisation

May 29: …false friends? I doubt these terms say much about the specifics of the creative or the social… #justimprovisation [1/2]

May 29: …—or their corresponding discourses—but it may be tempting to draw simple correlations. #justimprovisation [2/2]

May 29: …Like I said, potential tripping hazards. #mistakenembrace #justimprovisation

May 29: “Start to grapple with that fluidity.” #justimprovisation

May 29: ‘Proceduralized.’ Good word. Potential #artspeak right there. #linguisticdetritus #randomactsofpoetry #justimprovisation

May 29: “We’ve seen an 18% increase…” I’d love to write program/liner notes w/ this language. #technocracy #artspeak #justimprovisation

May 29: …How do we reconcile the need for ‘fluidity’ when the rhetorical justification uses… #linguisticdetritus #justimprovisation [1/2]

May 29: …such technocratic, bureaucratic language? #linguisticdetritus #justimprovisation [2/2]

May 29: “Risk”; that word again. #artspeak #linguisticdetritus #justimprovisation

May 29: Improvisation as an “unruly domain”. #justimprovisation

May 29: …Improvisation as a ’domain’? as a ‘site’? (Not an act?) #performance #identity #sociality #justimprovisation

May 29: Didn’t multiculturalism die at the hands of diversity? … #genuinequestion #justimprovisation

May 29: …or at least did not diversity explode the problematics (and necessary violence) of multiculturalism? #justimprovisation

May 29: “Musically satisfying ensemble.” ‘Satisfying’ #hmm By what criteria? #justimprovisation

May 29: ‘Recognition’ as the mechanism of identity (w/ minorities)? What about whiteness? heteronormativity? #hegemony #othering #justimprovisation

May 29: Equality = refusal to recognize difference. #justimprovisation

May 29: ‘Authentic self’? Is there the trap of essentialism there? #justimprovisation

May 29: Is the mechanism of improvisation based on exchanges? #genuinequestion #justimprovisation

May 29: I’ll ask this again for emphasis: Is exchange the primary/necessary/root mechanism of improvisation? #genuinequestion #justimprovisation

May 29: “Identities are always contingent.” Yes. This. #justimprovisation

May 29: Do the musical terms dissonance/harmony correspond to social/power relationship? … #justimprovisation

May 29: …or are we falling back on (liberal humanist) bad habits of old musicology? #justimprovisation

May 29: “Unvoicing of ulterity.” #justimprovisation

May 29: I don’t buy the distinction btw ‘traditional’ and ‘creative’ improvised musics. #idiom #tradition #creativity #justimprovisation

May 29: …pretty much said the same in a discussion with @tomarthursmusic afterwards. #justimprovisation

May 29: More thoughts: everytime I see OL perform, I think, damn; she’s better than the rest of us put together. #justimprovisation

May 29: Much transducer based music or #soundart would be improved by judicious enrolling of highpass filters. #impedance #justimprovisation

May 29 [in reply to…]: .@nickreynoldsatp I just don’t buy the one-on-one correspondence of musical and social dissonance/harmony. Instead… #justimprovisation [1/2]

May 29: .@nickreynoldsatp …it strikes me that _making_ the distinction btwn dissonance & harmony is the political act. #justimprovisation [2/2]

Responses to Symposium Day 2: Belfast, May 30, 2015

May 31: 0. Some more thoughts from the #justimprovisation symposium coming up…

May 31: 1. Find myself (my accident, of course) sitting next to @olivep during the Deep Listening workshop… #justimprovisation

May 31: 2. …and learned that I can not only listen thru the soles of my feet, but… #justimprovisation #body #physiology #listening

May 31: 3. …that I can triangulate the source of the vibration w/ two feet. Stereo! #justimprovisation #body #physiology #listening

May 31: 4. During the course of discussions, an improvising ensemble is frequently compared to that of a family… #justimprovisation

May 31: 5. …but escaping familiar relations are by degrees of magnitude so much harder than leaving an ensemble. #justimprovisation

May 31: 6. I am, however, reminded of the oft used terms ‘leader’ & ‘collective’ in the context of improvising micro-societies. #justimprovisation

May 31: 7. And tho we often idealize one form over another, ‘leader’ & ‘collective’ denote only 2 possible ways of organizing… #justimprovisation

May 31: 8. …each problematic, each utopian, in their way; neither quite fully descriptive of the dynamics of social play. #justimprovisation

May 31: 9. Leaders: such strong personalities (egos?) holding ensembles together… #justimprovisation

May 31: 10. …Ellington? Mingus? Bley? Guy? Mitchell? Paternalistic, nurturing, playful, autocratic, managerial, or bullying… #justimprovisation

May 31: 11. …Were we waiting for (or in need of) the ‘leader’ (such as @olivep) in the #justimprovisation ensemble…?

May 31: 12. In contrast to Call Them Improvisors! in 2011 in which we all bowed down to EP? #justimprovisation

May 31: 13. (Aside: but there may be no leaders, just those willing to be lead. We can too easily mistake effect for cause.) #justimprovisation

May 31: 14. Collective: idealized, utopian, but how do these work? How does collectivism work w/out violence to diversity…? #justimprovisation

May 31: 15. …afaik, closest to coop/‘family’ improvised musics was the AEC. But that ensemble emerged from Mitchell’s group… #justimprovisation

May 31: 16. …Felt as tho the #justimprovisation group desired (or felt we _should_ desire) a collective, but we were so polite (and yet so violent)…

May 31: 17. “Fuck you.” Someone says during the post-workshop discussions. ‘Yeah,’ I think, ‘exactly: “fuck you.”’ #justimprovisation

May 31: 18. Be back later with more thoughts on violence, alliances, autocracy and sociality coming up. #justimprovisation

Jun 24: 19. More thoughts on violence, alliances, autocracy and sociality from @translat_improv’s #justimprovisation symposium coming up…

Jun 24: 20. During #justimprovisation an improvising ensemble is frequently compared to that of a family… http://twitter.com/hanearlpark/status/604953995489234944

Jun 24: 21. …but familial relationships often seem less about choice of partners than, generally, a musical ensemble… #justimprovisation

Jun 24: 22. …we choose our bands in a way we can’t always choose our families (or we get paid)… #justimprovisation

Jun 24: 23. …that aside, are dysfunctions similar in both groups? Maybe (but how you solve/escape them are radically different). #justimprovisation

Jun 24: 24. What happens in an ensemble is brought together w/ radically different agenda, desires, skills, character, or power…? #justimprovisation

Jun 24: 25. …And what happens when those social/musical dissonances/discords are not discussed…? #justimprovisation http://twitter.com/hanearlpark/status/605081182133465088

Jun 24: 26. I want to unpack this (realize this is prob directed at a certain guitarist): http://twitter.com/davekanemusic/status/605734075446513665 #justimprovisation

Jun 24: 27. …I had certain problems w/ the amplified, steady-state ‘drone’ proponents in the #justimprovisation ensemble. I had difficulty…

Jun 24: 28. …hearing the unamplified string players in the #justimprovisation group. (It seemed to me, in such a large ensemble, the…

Jun 24: 29. …only ones who should have free license to play continuous sustained gestures were the unamplified strings/flute)… #justimprovisation

Jun 24: 30. …the rest of us would have to be more careful (we could be loud, but those gestures would have to be short)… #justimprovisation

Jun 24: 31. …talking to one of the drone proponents during the break, he responded that he wanted everyone to play drones… #justimprovisation

Jun 24: 32. …so the question: http://twitter.com/hanearlpark/status/605080336385617921 #justimprovisation

Jun 24: 33. …favorite pt of #justimprovisation may have been @MortButane (musical) response to Bennett Hogg: unexpected, oblique, left-field…

Jun 24: 34. …different, idiomatically discordant; recontextualizing Hogg’s playing (never to be heard the same way again)… #justimprovisation

Jun 24: 35. …how does one catalyze such (transformative) interactions and choices…? #justimprovisation

Jun 24: 36. …catalyze w/out ‘fixing’ the group (reminded of @JoshSinton: he’s not in the business of ‘saving’ an improvisation)… #justimprovisation

Jun 24: 37. When #justimprovisation group w/out the full complement of players (sans many quieter voices) start our performance in the afternoon

Jun 24: 38. …the ensemble launches into full-scale drone-works. I give up. It’s prob. unforgivable, but I walk off stage… #justimprovisation

Jun 24: 39. …I remember thinking: ‘I do not want to be part of this drone warfare.’ (ironic considering what is to follow)… #justimprovisation

Jun 24: 40. …If I have a problem w/ how those drones were articulated, it wasn’t the loudness of it as such, but how it subsumed… #justimprovisation

Jun 24: 41. …how it absorbed diversity and made it part of its identity. Which may be a kind of collectivism, but… #justimprovisation

Jun 24: 42. …not a collective I wanted to be part of. #justimprovisation

Jun 24: 43. Feel it’s disrespectful to walk off stage, but done it x2 since an experience some years ago: http://improvisingguitar.blogspot.ie/2007/02/mob-behavior-and-hegemonic-impulse.html #justimprovisation

Jun 24: 44. …If leaving the stage is unforgivable, then rejoining it seems like, at best, very poor manners… #justimprovisation

Jun 24: 45. …Essentially doing a pick’n’mix on what you decide to participate it. Where is the collective? collectivism? family? #justimprovisation

Jun 24: 46. In retrospect, going back on stage was a mistake, but once there, tried 2do what is the best role for the e. guitar… #justimprovisation

Jun 24: 47. …nudge, push and pull, and catalyze the existing elements that are ‘desirable’… #machiavellian?… #justimprovisation

Jun 24: 48. …but when those totalizing drones started up again for the umpteenth time, I exercised the nuclear option… #justimprovisation

Jun 24: 49. …Nuclear option? I floored it: volume pedal toe down, playing at eleven… #justimprovisation? or #unjustimprovisation?

Jun 24: 50. …Nuclear option: did I say evoking drone warfare was ironic? http://twitter.com/hanearlpark/status/613656187708510208 #justimprovisation

Jun 24: 51. …I did American Foreign Policy—indiscriminate, “bomb them back into the Stone Age”—on the collective… #justimprovisation

Jun 24: 52. …second time I’ve ever exercised the nuclear option, and, unlike last time, I’m _certain_ it was wrong wrong, wrong… #justimprovisation

Jun 24: 53. …Despite what @wildsong @olivep said, feel my response really was… immoral? Maybe. Unethical? Probably. Wrong? Wrong… #justimprovisation

Jun 24: 54. …Deniz Peters: “You autoerotic guitarist, you.” Ironic following statements about the non-semiotic nature of music? #justimprovisation

Jun 24: 55. …Simon Rose: “Did you know how loud you were?” “Oh. Yes.” “I thought you did.” #justimprovisation

Jun 24: 56. …Should someone ask for one (not that I expect anyone to), I would give my unconditional apology for what I did… #justimprovisation

Jun 24: 57. …but my question is: given the (latent/overt/potential of) violence in the ensemble (as discussed in this thread)… #justimprovisation

Jun 24: 58. …what _should_ I have done? #justimprovisation

Jun 26 [in reply to…]: .@JoshSinton No. Didn’t expect them to, but… your Q gets me asking who they should have apologized to (if at all)… #justimprovisation [1/2]

Jun 26: .@JoshSinton …to those whose voices got absorbed into the hive, or those who had difficulty hearing those voices? #justimprovisation [2/2]

Jun 26 [in reply to…]: .@JoshSinton Good question. Hmm… maybe no apologies are necessary (just some group counseling). #justimprovisation

Jun 26: .@JoshSinton As for my initial statement, for me, it’s the fact that I dropped (the musical equivalent of) nukes… #justimprovisation [1/2]

Jun 26: .@JoshSinton …wrong is wrong regardless of the reasons that compelled it. #justimprovisation [2/2]

update

10–15-22: elements of this transcript has become part of my article in The Sampler.

update: Just Improvisation, Belfast

Just Improvisation (flyer copyright 2015 Translating Improvisation)
© 2015 Translating Improvisation

May 29 and 30, 2015: as previously posted, I’ve been invited to participate in Just Improvisation: Enriching child protection law through musical techniques, discourses and pedagogies. See below for the program including the list of musicians involved. The symposium, organized by Translating Improvisation, takes place at the Sonic Arts Research Centre (Queen’s University, Belfast, N. Ireland). Admission is free, and the event is open to the public.

See the performance diary for up-to-date info. [Translating Improvisation page…]

Program

Fri 29 May 2015

2:00pm: Welcome & Introduction (Paul Stapleton and Sara Ramshaw)

2:15pm: Panel 1: ‘Child Protection as Social Practice: Challenges and Possibilities’
Chaired by: Marcella Leonard (Independent Social Worker) with: Denise McBride QC (Senior Barrister) and John Devaney (Senior Lecturer at Queen’s University Belfast – School of Sociology, Social Policy and Social Work)

3:45pm: Coffee/Tea Break

4:00pm: Keynote 1: Ellen Waterman, ‘Improvisation and the Audibility of Difference’

5:00pm: Wine Reception

5:30pm: Double-bill concert: Okkyung Lee and Maria Chavez

Sat 30 May 2015

9:45am: Coffee/Tea

10:00am: Deep Listening Workshop (led by Pauline Oliveros)

11:00am: Parallel Workshops: Musical Improvisation / Hydra (Legal Improvisation)
Improvisation workshop musicians: Paul Stapleton, Adnan Marquez-Borbon, Maria Chavez, Okkyung Lee, Pauline Oliveros, Ellen Waterman, Tom Arthurs, Matt Bourne, Dave Kane, Steve Davis, Phil Smyth, Simon Rose, Michael Speers, Dennis Peters, Han-earl Park, Ed Devane, Bennett Hogg and Rachel Austin

1:00pm: Lunch break

2:00pm: Panel 2: Informal performances and open discussion about workshops

3:00pm: Keynote 2: Pauline Oliveros, ‘The Ethics and Practice of Listening’

4:00pm: Coffee/Tea

4:15pm: Panel 3 & Plenary Discussion: ‘Imagining the Future’
Chaired by Georgina Born (Professor of Music and Anthropology, Oxford) with: Siobhan Keegan QC (President of the Family Bar Association of Northern Ireland)

5:15pm: Closing Remarks (Sara Ramshaw and Paul Stapleton)

audio recordings: downloads and recommendations (series 1)

download album artwork: Han-earl Park plus Marian Murray (Cork, 07-29-10); Jin Sangtae, Han-earl Park and Jeffrey Weeter (Cork, 01–24–11); Han-earl Park and Franziska Schroeder (Cork, 03-26-09); and Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04-04-11)
With the release of the recording with Paul Dunmall and Mark Sanders, I’ve completed the current series of download albums, and I’ve been taking a break from releasing new recordings. The albums so far—all Creative Commons licensed, and free or ‘name your price’—are collated here and on the downloads page. With a break in the release schedule, I’ve taken the opportunity to overhaul the downloads page; the most significant update since I started, in September 2010, formally offering complete concert recordings online.

One notable update to the downloads page is the addition of the recommended Bandcamp albums that accompanied the current series. As I wrote previously, there are some very fine and inspiring creative, improvised and experimental music on Bandcamp, but it isn’t always easy to find the recordings. Here’s my small contribution to help people get started. Enjoy, download, share—support creative musicians!

Keywords: improvised music, creative music, jazz, free jazz, free improvisation, experimental music, electronic music, electroacoustic.

Paul Dunmall, Han-earl Park and Mark Sanders

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Two non-stop sets of improvised music. This live recording juxtaposes the formidable creativity and muscular technique of veteran improviser-saxophonist Paul Dunmall, the imaginative cyborgian virtuosity of guitarist Han-earl Park, and the ever inventive playing of Mark Sanders, arguably the most sought-after improviser-drummer of his generation. [More info…]

Recommended price: $8+

Accompanying Recommended Albums

Murray Campbell, Randy McKean, Han-earl Park, Gino Robair and Scott R. Looney

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

The Gargantius Effect is the brainchild of Murray Campbell and Randy McKean. This album documents Gargantius Effect’s August 2011 tour of Northern California with special guest and fellow Sonologist Han-earl Park, plus Bay Area veteran improviser, composer and electronic artist Gino Robair, and hyperpianist Scott R. Looney. [More info…]

Recommended price: $8+

Accompanying Recommended Albums

Han-earl Park plus Marian Murray

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

A solo performance by guitarist-constructor Han-earl Park exploring, with feedback and resonant buzzes, the complex, cavernous acoustics of the Lewis Glucksman Gallery, and the interactions between artifact (guitar) and the body (guitarist). For ‘Strokes and Screwballs,’ Park is joined by violinist-improviser Marian Murray for a conversational improvisation. [More info…]

Recommended price: $5+

Accompanying Recommended Albums

Jin Sangtae, Han-earl Park and Jeffrey Weeter

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

A stark, real-time evolution of on-stage relations. The performance took place during Seoul-based experimental electronic musician Jin Sangtae’s European tour. Featuring clanking hard drives, buzzing electronics, noisy guitars and machine gun percussion, this recording captures Jin’s meeting with guitarist-improviser Han-earl Park, and composer, drummer and intermedia artist Jeffrey Weeter. [More info plus the 24-bit edition…]

Recommended price: $8+

Accompanying Recommended Albums

Han-earl Park and Franziska Schroeder

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

“Sounds reverberate and carry in unexpected ways, and music improvised here [The Glucksman Gallery] runs the risk of losing all definition. That [Han-earl] Park and his co-improviser Franziska Schroeder gracefully avoided this testifies to their alertness, sensitivity and experience working together in other spaces…. Indeed the evening had the feeling of conversation, with the instrumentalists demonstrating the improvisatory give-and-take of a convivial exchange of ideas.” [More info…]

Recommended price: $5+

Accompanying Recommended Albums

Catherine Sikora, Ian Smith and Han-earl Park

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

A performance by Catherine Sikora, a saxophonist with a striking, compelling sound. She has been described as “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone”. Sikora was joined by cofounder of the London Improvisers’ Orchestra, trumpeter Ian Smith, and guitarist Han-earl Park. Smith and Park had just come off the tour as part of the power-trio Mathilde 253 (with Charles Hayward) with Wadada Leo Smith. [More info…]

Recommended price: $8+

Accompanying Recommended Albums

audio recordings: downloads and recommendations

download album artwork: Han-earl Park plus Marian Murray (Cork, 07-29-10); Jin Sangtae, Han-earl Park and Jeffrey Weeter (Cork, 01–24–11); Han-earl Park and Franziska Schroeder (Cork, 03-26-09); and Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04-04-11)
A couple of more download releases in the pipeline after which I’m planning to take a short break. The releases so far—all Creative Commons licensed, and free or ‘name your price’—are collated here.

I’ve also listed my recommended Bandcamp albums that have accompanied the releases. There are some very fine, inspiring creative, improvised, experimental music on Bandcamp, but it isn’t always easy to find the recordings. Here’s my small contribution to help people get started. Enjoy, download, share—support creative musicians!

Keywords: improvised music, creative music, jazz, free jazz, free improvisation, experimental music, electronic music, electroacoustic.

Han-earl Park plus Marian Murray

A solo performance by guitarist-constructor Han-earl Park exploring, with feedback and resonant buzzes, the complex, cavernous acoustics of the Lewis Glucksman Gallery, and the interactions between artifact (guitar) and the body (guitarist). For ‘Strokes and Screwballs,’ Park is joined by violinist-improviser Marian Murray for a conversational improvisation. [More info…]

Accompanying Recommended Albums

Jin Sangtae, Han-earl Park and Jeffrey Weeter

A stark, real-time evolution of on-stage relations. The performance took place during Seoul-based experimental electronic musician Jin Sangtae’s European tour. Featuring clanking hard drives, buzzing electronics, noisy guitars and machine gun percussion, this recording captures Jin’s meeting with guitarist-improviser Han-earl Park, and composer, drummer and intermedia artist Jeffrey Weeter. [More info plus the 24-bit edition…]

Recommended Albums

Han-earl Park and Franziska Schroeder

Áine Sheil (from the liner notes): “The Glucksman Gallery is one of the finest buildings to have been built in Ireland in recent times, but it is a tricky space for any musician to negotiate. Sounds reverberate and carry in unexpected ways, and music improvised here runs the risk of losing all definition. That [Han-earl] Park and his co-improviser Franziska Schroeder gracefully avoided this testifies to their alertness, sensitivity and experience working together in other spaces…. Indeed the evening had the feeling of conversation, with the instrumentalists demonstrating the improvisatory give-and-take of a convivial exchange of ideas.” [More info…]

Recommended Albums

Catherine Sikora, Ian Smith and Han-earl Park

This was a rare performance in Ireland by Catherine Sikora (New York-based, originally from West Cork), a saxophonist with a striking, compelling sound. She has been described as “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). Sikora was joined by cofounder of the London Improvisers’ Orchestra, trumpeter Ian Smith (London-based, from Dublin), and guitarist Han-earl Park (then Cork-based, currently Brooklyn-based, from California). Smith and Park had just come off the tour as part of the power-trio Mathilde 253 (with Charles Hayward) with the legendary composer-improviser Ishmael Wadada Leo Smith. [More info…]

Recommended Albums

also available by Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.