| date | venue | time | details |
|---|---|---|---|
| October 1, 2021 | Sowieso Weisestraße 24 12049 Berlin Germany |
8:30pm (doors: 8:00pm) | QHL (Quentin Tolimieri: organ; Han-earl Park: guitar; and Luca Marini: drums). [Details…] [Sowieso calendar…] [Reserve seat…] |
STOP PRESS: The Names at Schillerpromenade, Berlin
This Friday (July 16, 2021), at 8:00pm: The Names (Heather Frasch: flute; Carina Khorkhordina: trumpet; Koen Nutters: upright bass; Han-earl Park: guitar; and Quentin Tolimieri: melodica), plus Duchamp & Wizard Ashdod, perform as part of the Keith Bar Open Air Music Series (Outside Keith Bar, Schillerpromenade 2, 12049 Berlin). Admission is free.
See the performance diary for up-to-date info. [echtzeitmusik calendar…]
Performance diary (Berlin) 071321
| date | venue | time | details |
|---|---|---|---|
| July 16, 2021 | Outside Keith Bar Schillerpromenade 2 12049 Berlin Germany |
8:00pm | The Names (Heather Frasch: flute; Carina Khorkhordina: trumpet; Koen Nutters: upright bass; Han-earl Park: guitar; and Quentin Tolimieri: melodica) presented as part of the Keith Bar Open Air Music Series. Also performing: Duchamp & Wizard Ashdod. Free admission. [echtzeitmusik calendar…] |
Lumbering 30 kilogram box of wood, metal, glass, paper, fabric, plastic and 1960s over-engineering
In case you missed it, I wrote a short piece for the June edition of The Wire (issue 448) in which I muse about speaker cabinets, cyborgs, simulations, rooms-within-rooms, and the superstitions surrounding, and genre markers of ‘tone’:
All instrument-instrumentalists are cyborg creatures in which musical gestures and behaviours emerge from the collision of minds, bodies and artifacts; of physics, physiology, technology and culture. One peculiarity in the case of the amplified instrument-instrumentalist is the particular way this cyborg is exploded in space, spilling its components and organs across the stage. The guitar-guitarist may sit on one side of the stage, while the amp sits some distance away. It’s freakish, as if, say, a violin’s soundbox had severed itself from the rest of the instrument and crawled across the stage.
The speaker cabinet plays a curious part in this cyborg dance. The cabinet is both the sounding part of the instrument, an externalized soundbox removed from the tactile interface of the instrument, while also functioning as a room within the room. Every speaker cabinet has a particular signature, a particular character, and the particular room that the cabinet will live in for the performance, likewise, has a particular character that interacts with it (which will itself change when filled with an audience).
You can read the rest in the June issue of The Wire.
Recordings Discussed
Peculiar Velocities (BAF002) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.
© + ℗ 2020 Han-earl Park.
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Serenity on the edge breakdown and sounds of an 8-bit shower (reviews: Peculiar Velocities and Two+ Bagatelles)
Eris 136199: Peculiar Velocities
I am very proud and very grateful to find Peculiar Velocities, the latest album from Eris 136199, in the best-of lists of a Jazz Noise (which, elsewhere, described the music as “serenity on the edge of a breakdown”), and of Avant Music News. And no one is more surprised than I that a Kickstarter-only limited edition live album got on to a best-of-year list!
Elsewhere Corey Mwamba (Freeness, BBC Radio 3) describes “exquisite music-making” with musicians that “fuse and create this gorgeous glitchy stew together”, and, writing in Vital Weekly, Nick Roseblade describes Peculiar Velocities as an album in which “everything feels pushed as far is it can go”:
Like what rock music could, and possibly should, have sounded like it if musicians like Ornette Coleman became the norm. There is a freeness to the playing that is astounding, but there is also organisation. During sections, the guitars work together to give Sikora something tangible to stand on. When this happens ‘Eris 136199: Peculiar Velocities’ becomes something very special indeed. ‘Polytely I’ sees the guitars constantly churning to create vortex-esque soundscapes why Sikora’s light and airy saxophone wafts above it. Like stream on a freshly brewed tea. This is an album that reminds you of how good it is when musicians don’t care about the rules and just play. [Read the rest…]
And while Brady Gerber’s ‘7 For Seven’ finds a space in which “a nervous guitar fills an orange sky and empty beach”, and Takeshi Goda in JazzTokyo writes of velocities, perception, collisions, fusions, joy and brain-reforming experiences:
相手のプレイを意識して、コール&レスポンスで反応しながら音楽の流れを作るのは即興演奏のひとつのスタイルである。しかし彼らのアンサンブルの方法論は異なる。その場で適切と各自が判断する奏法・旋律・リズムを個人の責任で奏でることに専念して、3人のプレイが衝突と融合を繰り返すことで、結果的に予測不能なサウンドを生み出すことを信条としている。3つの異なる平行した自然のプロセスが同時に起こることで知覚される集団即興演奏は…
それはあたかも地球外の異境から到来した明滅する運動エネルギーによって脳外科手術を施されるような驚喜の頭脳改革体験である。 [Read the rest…]
And finally, Ken Shimamoto/The Stash Dauber writes about sounds that “slither and spatter like radio interference, shimmer like molten silver, or ring like a cymbal’s decay” music in which “the spirit of electricity becomes a living thing”:
The best type of musical conversation, abstract and oblique as it might be at times…. I’ve listened to this thing a half dozen times since I started writing yesterday, and am happy to have its company to help me get through what looks like it’s going to be a very tough winter… and the hopeful spring to follow. [Read the rest…]
[About this album…] [Get the CD/download (Bandcamp)…] [All reviews…]
CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†
* Limited edition glass-mastered CD. CD includes additional material (liner notes, artwork, etc.) not included in the download version of the album.
† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.
Two+ Bagatelles
And one more thing: In his survey of solo guitar recordings, Paul Acquaro at Free Jazz reviews my recording released by, and in support of, The Vortex Jazz Club:
[Han-earl Park’s] playing was unusually expressive…. On Two+ Bagatelles, this same musical spirit that has stuck with me for so long, has been captured…. Melodies becoming almost like the sounds of an 8-bit shower. [Read the rest…]
[About this EP…] [Download (Bandcamp)…]
Available from The Vortex’s Bandcamp page, all purchases of Two+ Bagatelles go towards helping their continued work presenting the very best jazz, improvised, and experimental musics.
Peculiar Velocities (BAF002)
November 17, 2020: Eris 136199’s latest album is out now (compact disc and digital download)! Eris 136199 is the chaotic snap’n’pop of Han-earl Park’s cyborg virtuosity, the symphonies of power and weight of Catherine Sikora’s tenor madness, and the heavy rock-ASMR experimentalism of Nick Didkovsky glitchy guitar.
Peculiar Velocities is Eris 136199’s first studio album, and captures the trio during their 2019 European tour; between the first date at The Vortex (London) and their performance at Jazz em Agosto (Lisbon).
[Get the CD/download (Bandcamp)…]
CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†
* Limited edition glass-mastered CD. CD includes additional material (liner notes, artwork, etc.) not included in the download version of the album.
† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.
news and updates
February 20, 2024: Mixing noisy, pretty, gentle and disorderly peculiar music
https://soundcloud.com/hanearlpark/mix-engineer-works Wondering what mixing strategy could possibly work for your recording of noisy, pretty, gentle and disorderly peculiar music? Hit me up if your left-of-field recording is in need of some…
January 29, 2024: The unknowability of connection, and a little science fiction (Free Jazz: Sunday Interview)
https://www.youtube.com/watch?v=jewNzu1KL1Q Violence and cruelty? Fantastical, twisted, dark, deeply affectionate humanism? Improvisation as embodiment and personification? Place, subjectivity and interiority? As part of the Free Jazz: Sunday Interview, in response to a…
[All articles on Peculiar Velocities (BAF002)…]
description
An uncomfortable joy, a can’t-be-reproduced-in-the-laboratory combination of rare elements, a new musical alloy, an ongoing experiment, the perfect distillation of uneasy listening.
— Dave Foxall (a Jazz Noise, Best of 2020)
それはあたかも地球外の異境から到来した明滅する運動エネルギーによって脳外科手術を施されるような驚喜の頭脳改革体験である。
— Takeshi Goda (JazzTokyo)
Gorgeous glitchy stew….
— Corey Mwamba (Freeness, BBC Radio 3)
Formed in New York in 2012, Eris 136199 is the chaotic-slamming one-person rhythm section of Han-earl Park (Sirene 1009), the deep melodic intelligence and big-tenor sound of Catherine Sikora (Clockwork Mercury), and the anthems of glitch, experimentalism and riffage of Nick Didkovsky (Doctor Nerve). Recorded during the trio’s 2019 European tour, Peculiar Velocities (BAF002) is Eris 136199’s third CD, and first studio album. The album is the follow-up to the eponymous Eris 136199 (BAF001, 2018) described as “like letting an insane brain surgeon in through your ear” (aJazzNoise, Best of 2018), and Anomic Aphasia (SLAMCD 559, 2015) which was described as “a beautiful noise” (KFJC 89.7 FM).
Surprises abound on this disc from the collision of three seemingly incompatible notions of time and rhythm in [the title track] ‘Peculiar Velocities’; to ‘Sleeping Dragon’ which insistently claims to be one thing but reveals itself to be something else; to the aural love letter to No Wave that is ‘D-Loop’….
Moments of absolute clarity, where two of us may deliberately hit exactly the same notes, are juxtaposed by equally comfortable bursts of raging chaos and easy silences.
— From the liner notes‡
Recorded with a lean, efficient boldness by Sean Woodlock, and mastered by Richard Scott, the album captures music that leaps from wispy, delicate webs to massive weather-beaten mountains. Recorded over just three hours in a single live room, Peculiar Velocities catches Eris 136199 between the first date of the tour at The Vortex (London) and their performance at Jazz em Agosto (Lisbon).
Insectoid ASMR glitches to powerful ballads of weight and light; gentle, languorous shimmers to startling No Wave noise; raspy double-guitar hockets to gutted, dismantled chorales.
Han-earl Park is the instigator and mastermind behind Eris 136199, as well as groups including Sirene 1009 with Dominic Lash, Mark Sanders and rit. (f.k.a. Caroline Pugh), and co-conspirator in projects with Richard Barrett and others. Park is the constructor of the machine improviser io 0.0.1 beta++, and of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Josh Sinton, Louise Dam Eckardt Jensen, Ingrid Laubrock, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. His ensembles have performed at festivals including Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), CEAIT (Los Angeles) and Sonic Acts (Amsterdam).
Saxophonist, improviser and composer Catherine Sikora, known for her big sound and lyrical melodic work, works as a solo performer and with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Ethan Winogrand, Christopher Culpo and Ross Hammond. In recent years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris in 2014 and in 2020.
Guitarist, composer, and computer music programmer Nick Didkovsky has composed music for Kathleen Supové, ETHEL, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, as part of the Fred Frith Guitar Quartet, and his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records. For over 30 years, his avant-metal big band Doctor Nerve has fueled Didkovsky’s intricate compositions with the energy of rock, punching holes through the walls between heavy metal, contemporary music, and improvisation, and performing at festivals including Moers, FIMAV, and the Whitney Museum’s ‘Whitney Live.’ With computer music pioneer Phil Burk, Didkovsky developed the computer music language Java Music Specification Language (JMSL).
‡ Liner notes only available with the CD.
personnel
Han-earl Park (guitar), Catherine Sikora (saxophone), and Nick Didkovsky (guitar).
track listing
Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.
recording details
Music by Han-earl Park, Catherine Sikora and Nick Didkovsky.
Recorded August 9, 2019, Hackney Road Studios, London.
Recorded by Sean Woodlock. Mixed by Han-earl Park.
Mastered by Richard Scott.
Design and artwork by Han-earl Park.
Thanks to Sean and Richard; to Colin Webster, Ingrid Laubrock, Alex Hawkins, Charles Hayward and Melanie L Marshall; to Rui Neves, João Brilhante, Inês Nunes and everyone at Jazz em Agosto/Calouste Gulbenkian Foundation; Kathianne Hingwan, Kim Macari, Ali Ward and everyone at The Vortex; Matthew Nolan at Note Productions; Aoife Concannon, Adam Nolan, Kenneth Killeen and Caitríona O’Mahony at Improvised Music Company; to Lee Paterson; to Laurent Carrier and everyone at Colore; to Paul Acquaro of Free Jazz; Mike Borella of Avant Music News; Dave Foxall of aJazzNoise ; and Tim Owen of _____on Sound.
A big thanks to the backers of our Kickstarter project for their awe-inspiring generosity; helping bring this music to you! A massive thanks to Phillip A., Bruno Bissonnette, Mike Borella, Colin Cahill, Jeremy Clarke, Gary Couse, Nicholas Croft, Don Davis, Andrew Raffo Dewar, Tom Duff, Erik Ellestad, Lee Rice Epstein, Goldi, Owen Green, Rich Hollis, Martin Hoogeboom, Terry Kattleman, Gary W. Kennedy, Liam, Bartholomew R. Mallio, walt mattes, Andrew McKenzie, Rob Miller, Eric Mingus, John Minnock, david m morris, Neil, Matthew Nolan, Michael Rogers, Steffen Schindler, Ken Shimamoto, Craig Sines, j. sinton, Marte van der Loop, Tom Ward, Bernd Wimmer, aJazzNoise, and the Newcastle Festival of Jazz and Improvised Music, and to our anonymous backers.
© + ℗ 2020 Han-earl Park.
Also available with…
Eris 136199 (Peculiar Velocities) Hoodie (limited edition) [details…]
80% ringspun cotton, 20% polyester, 280gsm hoodie.
Unisex fit.
S, M, L, XL, XXL.
100% for the perfect noise-night-out.
Celebrate your love of skonkin’ improvised goodness by wearing the noisily official Eris hoodie.
Also from Eris 136199
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
updates
11-17-20: released!
12-04-20: added the hoodie.
06-26-22: small updates including review quotes.
Eris 136199 will be releasing Peculiar Velocities!
http://www.kickstarter.com/projects/hanearlpark/eris-136199-effortlessly-strange-improvised-music
€1,200 pledged of €650 goal. 184% funded. 44 backers.
You did it!
Thanks to you, our awe-inspiring backers, we will master the recording, create the artwork, write the liner notes, press the discs, and get the music to you. You have been fantastic, and I am awestruck by your generosity, and really touched by your support.
I’ll be back in touch over the coming months with news and updates about the rewards and the progress of the production, but, in the meantime, I hope you will join me in celebrating this achievement. Getting strange, noisy, undomesticated improvised music released can sometimes be a difficult task, but you have made it possible.
As for me? I celebrated by doing some late night soldering 😊
Please take care, and, again, thank you so very much. You have been above and beyond.
Han-earl Park (guitarist, noise-maker, and mastermind behind Eris 136199).
Eris 136199: stubborn weirdness and gleeful mischief
http://www.kickstarter.com/projects/hanearlpark/eris-136199-effortlessly-strange-improvised-music
Back a few months ago, while reflecting on the mix, I wrote:
Listening to a static mix of #eris136199’s August recording. I love the final track: it’s, by turns dreamy and queasy, polytonal music that slides in-out of tune….
But I wonder if this track will make sense outside the context of the tour in which the trio played some of its most harmonious music (hitting _real_ chords, and sounding _real_ harmony). I feel like this track was almost a respite of sorts….
There are moments when #eris136199 stubbornly refuses to play in the same key/tuning. Almost unbearable—maybe even bad taste—listening you wish the trio would surrender to harmonic gravity. And when one player does resolve the disharmony, it’s plays like gleeful mischief. [Source…]
If you’re wondering, yes, this track made the cut. It’ll be the second piece on the album, and, for its stubborn weirdness while refusing the easy trapping of being #seriouslyexperimental or #cuteandquirky, it might be my favorite on the album.
Find us on Kickstarter! Joining this project means that you will be the first to hear this vividly strange and beautiful music. Your support will also mean that we are able to make the best album we can. Plus, as we have surpassed our target thanks to our awe-inspiring fans, you will now also have an opportunity to unlock upgrades, and some very, very special bonus rewards.
I honestly think this album has the best music I’ve put on record, and I am very grateful to be able to share this strangely beautiful music with you. [Kickstarter page…]
Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park, the mighty melodic imagination and big tenor sound of Catherine Sikora, and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky.
Eris 136199: effortlessly strange improvised music
http://www.kickstarter.com/projects/hanearlpark/eris-136199-effortlessly-strange-improvised-music
Eris 136199 is back! help release our third album! [Kickstarter page…]
Last year, during our second European tour, Eris 136199 went into Hackney Road Studios in London to record our next album, and our first studio album. As engineer Sean Woodlock hit the record button, we knew straight away that something very special was taking place that day: leaping from insectoid ASMR glitches to powerful ballads of weight and light; from the gentlest, languorous shimmers to startling No Wave noise, from raspy double-guitar hockets to gutted, dismantled chorales. And, to both our surprise and delight that thrill of musical discovery has translated beautifully during the mixing process.
The music, recording and the mix are complete, and this is where you, our awesome fans, come in. Eris 136199 now needs to take the final steps to releasing the album: mastering the album, creating the artwork and design, and pressing the CDs. And we are offering special rewards (including exclusive never-before-heard recordings, limited edition merch, and one-of-a-kind items), so please check out the various rewards and see where you might fit in to help us!
To our wonderful fans who blew us away with your support during our successful 2017 Kickstarter, we are so pleased to be sharing this latest project with you. And to both our long-time fans and those new to Eris, we promise that the music on this latest album will be very different from anything else; something beautifully strange and unexpected even for the wonderfully unpredictable Eris 136199.
Please have a look through the available rewards, and, when you’re ready, help bring noise to life!
Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park, the mighty melodic imagination and big tenor sound of Catherine Sikora, and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky.
Eris 136199: Kickstarter launching soon!
Update: the campaign has launched! Please join us on Kickstarter.
Eris 136199 is back! get ready to help release beautifully strange and unexpected music!
To be notified when the Kickstarter campaign goes live, sign up to my newsletter:
Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park (Sirene 1009), the mighty melodic imagination and big tenor sound of Catherine Sikora (Clockwork Mercury), and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky (Doctor Nerve).
video credits
Music by Han-earl Park, Catherine Sikora, and Nick Didkovsky.
Recorded by Sean Woodlock. Mixed by Han-earl Park.
Photos © Jazz em Agosto / Petra Cvelbar.
updates
03-25-20: our Kickstarter is live!
Appearance cancelled: Birmingham, Cheltenham and London
I am sad to announce that I will unfortunately not be taking part in the events in Birmingham (March 17, 2020), Cheltenham (March 19), and London (March 21 and 22). All the events, however, are still taking place without me, so please support the fantastic community of local musicians and curators.
My warmest thanks to all the artists involved, big thanks to Jamie Dawson for again offering to lend me the use of his guitar amp, and special thanks to Tom Ward, Andrew Woodhead and Chris Cundy for inviting me to perform. I hope we can set up a rematch in the future.
performance diary (Birmingham, Cheltenham, London) 020520
| date | venue | time | details |
|---|---|---|---|
| March 17, 2020 | The Lamp Tavern Barford Street Birmingham B5 6AH England |
7:30pm | [Fizzle page…] The event is still taking place, but Han-earl Park will no longer be taking part. |
| March 19, 2020 | Smokey Joe’s 16 Bennington Street Cheltenham GL50 4ED England |
8:00pm | Chris Cundy (reeds) plus Admission: £5 at the door. The event is still taking place, but Han-earl Park will no longer be taking part. |
| March 21, 2020 | waterintobeer Unit 2 Mantle Court 209–211 Mantle Road Brockley London SE4 2EW England |
7:00pm (doors: 6:30pm) | Tom Ward (saxophone) and [BRÅK page…] The event is still taking place, but Han-earl Park will no longer be taking part. |
| March 22, 2020 | Hundred Years Gallery 13 Pearson Street London E2 8JD England |
4:00pm (doors: 3.30pm) | [100 Years Gallery page…] The event is still taking place, but Han-earl Park will no longer be taking part. |
Continue reading “performance diary (Birmingham, Cheltenham, London) 020520”