Free Jazz: Catherine Sikora, Han-earl Park and François Grillot, ‘Tracks in the dirt’

Catherine Sikora, Han-earl Park and François Grillot, ‘Tracks in the dirt’ (copyright 2013, Clockwork Mercury Press)
Design and artwork by Eric Mingus (© 2013 Clockwork Mercury Press)

Paul Acquaro at Free Jazz Blog writes that Catherine Sikora, Han-earl Park and François Grillot’s Tracks in the dirt (Clockwork Mercury Press 003) is an “enjoyable listen for open ears”, and that “chance encounters and smart musical ideas that make this recording so effective.”

The opening track, ‘Helix’ contains some of my favorite moments of the recording. Sikora’s soprano sax sounds like it is drawing a line from each hit of the bass, with Park coloring in the spaces between. Park, with whom she also released Cork 04-04-11, is an understated and sympathetic accompanist throughout.

Feel the force of Sikora’s playing too—halfway through the second track, ‘The Chopping Block’ her soprano is clear and cutting, the melodic lines spinning and swirling around Park’s textures and Grillot’s rhythmic pulse. [Read the rest…]

Paul Acquaro (Free Jazz)

[More about this recording…] [All reviews…]

Also by Catherine Sikora and Han-earl Park

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

seeking performances (Europe, 2014)

I will be moving back to Cork this month, and I am seeking performances for the following projects/ensembles in Europe, 2014. Interested promoters, venues, festivals and sponsors, please get in touch!

In addition, I (Han-earl Park) will be available for performances in solo or (ad-hoc) ensemble contexts.

Contact me for further information, audio recordings, etc. (some material only available to promoters).

thanks: Gowanus Company at Douglass Street Music Collective, Brooklyn

Ingrid Laubrock, Ken Filiano and Olie Brice (Douglass Street Music Collective, Brooklyn, November 26, 2013)
I’m honored to have been part of a fantastic iteration of Gowanus Company (November 26), and feel enormously blessed to have been welcomed into such an incredible community. Big, heart-felt thanks to Kyoko and Josh for organizing the event. I’m touched, and could not have asked for a better send-off. Thanks to everyone who made music, and for creating that welcoming, friendly vibe. (And a particular pleasure to finally perform with Kyoko, Ken and Fay!) And thanks again to Scott Friedlander for the documentation.

From that vocal/guitar chorus (Kyoko, Viv, Fay, Nick and I) to the jazz racket of Ken and I joined by Tom and Ingrid… my spirits have been lifted!

reminder: Gowanus Company at Douglass Street Music Collective, Brooklyn

Gowanus Company at Douglass Street Music Collective
This Tuesday (November 26, 2013), at 7:00pm: My last gig in Brooklyn before the Big Move!

In the spirit of Derek Bailey’s Company week, the evening will feature a series of never-before-seen and never-to-be-seen-again groups. [Read the rest…]

Gowanus Company with Dan Blake (saxophone), Olie Brice (double bass), Viv Corringham (voice and electronics), Nick Didkovsky (guitar), Michael Evans (drums), Ken Filiano (double bass), Christopher Hoffman (’cello), Jason Kao Hwang (violin), Kyoko Kitamura (voice), Ingrid Laubrock (saxophone), Jeremiah Lockwood (voice and guitar), Russ Lossing (piano), Han-earl Park (guitar), Tom Rainey (drums), Josh Sinton (saxophone and clarinet), Fay Victor (voice) and others takes place at Douglass Street Music Collective (295 Douglass Street, Gowanus, Brooklyn, NY 11217) [map and directions…]. $10 suggested donation.

tonight: Jack Wright, Ben Wright, Andrew Drury, Joe Moffett, Dan Peck, Han-earl Park and Michael Evans, Brooklyn

Tonight (November 21, 2013), at 7:00pm: a performance by Jack Wright (saxophones) and Ben Wright (double bass) with Andrew Drury (percussion), Joe Moffett (trumpet), Dan Peck (tuba), Han-earl Park (guitar), Michael Evans (percussion) and others as part of Soup and Sound House Concert takes place at Andrew Drury’s home in Lefferts Gardens, Brooklyn (contact him for the location). Recommended donation: $10.

Above video: last time I performed with Jack Wright. With Jonathan Moritz at one of Andrew’s events. Video by Kevin Reilly. [Watch the rest…]

reminder: Anna Webber and Han-earl Park at IBeam, Brooklyn

Anna Webber and Han-earl Park
This Wednesday (November 20, 2013), at 8:30pm: a performance by Anna Webber (saxophone) and Han-earl Park (guitar), plus Joe Moffett (trumpet), Carlo Costa (drums) and Dan Peck (tuba), takes place at IBeam (168 7th Street, Brooklyn, NY 11215) [map and directions…]. $10 suggested donation.

performance: Gowanus Company at Douglass Street Music Collective, Brooklyn

Gowanus Company at Douglass Street Music Collective
Tuesday, November 26, 2013, at 7:00pm: Gowanus Company with Dan Blake (saxophone), Olie Brice (double bass), Viv Corringham (voice and electronics), Nick Didkovsky (guitar), Michael Evans (drums), Ken Filiano (double bass), Christopher Hoffman (’cello), Jason Kao Hwang (violin), Kyoko Kitamura (voice), Ingrid Laubrock (saxophone), Jeremiah Lockwood (voice and guitar), Russ Lossing (piano), Han-earl Park (guitar), Tom Rainey (drums), Josh Sinton (saxophone and clarinet), Fay Victor (voice) and others. Curated by Kyoko Kitamura, Josh Sinton and Han-earl Park, the event takes place at Douglass Street Music Collective (295 Douglass Street, Gowanus, Brooklyn, NY 11217) [map and directions…]. $10 suggested donation.

My last gig in Brooklyn, New York, and, for me, it’s my leaving party. I’m honored to be part of this event instigated by Kyoko and Josh.

See the performance diary for up-to-date info. [DSMC page…]

performance: Jack Wright, Ben Wright, Andrew Drury, Joe Moffett, Dan Peck, Han-earl Park and Michael Evans, Brooklyn

Thursday, November 21, 2013, at 7:00pm: a performance by Jack Wright (saxophones) and Ben Wright (double bass) with Andrew Drury (percussion), Joe Moffett (trumpet), Dan Peck (tuba), Han-earl Park (guitar), Michael Evans (percussion) and others as part of Soup and Sound House Concert. The event takes place at Andrew Drury’s home in Lefferts Gardens, Brooklyn (contact him for the location). Recommended donation: $10.

See the performance diary for up-to-date info.

Above video: last time I performed with Jack Wright. With Jonathan Moritz at one of Andrew’s events. Video by Kevin Reilly. [Watch the rest…]

performance: Anna Webber and Han-earl Park at IBeam, Brooklyn

Anna Webber and Han-earl Park
Wednesday, November 20, 2013, at 8:30pm: a performance by Anna Webber (saxophone) and Han-earl Park (guitar) takes place at IBeam (168 7th Street, Brooklyn, NY 11215) [map and directions…]. Also performing: Joe Moffett (trumpet), Carlo Costa (drums) and Dan Peck (tuba). $10 suggested donation.

Super excited! Played a few sessions with Anna, but this will be the long overdue public performance with the stupendously creative Anna Webber.

See the performance diary for up-to-date info.

canceled: Viv Corringham and Han-earl Park at Downtown Music Gallery, New York

Unfortunately the performance by Viv Corringham and Han-earl Park that was to take place on November 17, 2013 at Downtown Music Gallery, New York has been canceled.

Sorry about that. I’m offering the video clips of the August 13 performances by Gerald Cleaver and Han-earl Park, and Viv Corringham and Andrea Parkins as a kind of consolation (the time Viv and I almost performed together).

Next up: performance in Pittsburgh (November 7) as part of Crucible Sound, then back to Brooklyn (November 20) for a duo performance with Anna Webber. See the performance diary for up-to-date info.

Crucible Sound: interview with Han-earl Park

Crucible Sound (Pittsburgh, 11-07-13)
Over at Crucible Sound, Anthony Levin-Decanini interviews Han-earl Park about idiom, identity, collaborators, teaching and a-ha moments:

Idiom, tradition, identity, history (personal or collective) are things that I value. I tend not to subscribe to the vanilla notion of a pure, non-idiomatic state. I value the meeting: I want to know who you are, who I am, and that fascinating stuff is when those things collide—what we have in common, and what separates us. Border crossings are always fascinating; full of contradictions and (potential) misunderstandings….

…Meetings and border crossings make me think of brief encounters, limited investment, not long-arc relationships. Is that what free improvisers are left with: connecting only in that moment? Is that initial collision potentially more interesting to hear than when musicians get to know each other intimately (and calculate accordingly)?

…I do value the band, of long-term collaborations. It allows for greater complexity of interaction, greater speeds of decision making, more oblique, unexpected, choices. We, Eris 136199, coined a new term—‘weirderation’—after our last performance, to denote something—a set of relationships, decision making process—getting just that little bit weirder with each iteration.

On the other hand, spaces such as Crucible Sound have their own value. I’m not sure ‘brief encounters’ necessarily equates to ‘limited investment’ in those relationships.

[Read the rest…]

On Thursday (November 7, 2013), at 8:00pm (doors: 7:30pm): Han-earl Park will be performing with David Bernabo, Edgar Um Bucholtz, J Wayne Clinton and Lenny Young as part of Crucible Sound at ModernFormations (4919 Penn Avenue, Pittsburgh, PA 15224) [map…]. Suggested donation: $7. [Details…]

thanks: Eris 136199 (DMG, NYC) and Park-Sikora-Sinton (Harvestworks, NYC)

Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo copyright 2013 Emilio Vavarella.
Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo © 2013 Emilio Vavarella.

Acknowledgments re the, for the time being, final performances of two projects: Eris 136199 on October 27, and Metis 9 on October 29. My hat goes off to my comrades Nick Didkovsky and Catherine Sikora who make Eris 136199 the site of unexpected choices—of twists and turns. We’d thought our previous performance was weird, this one warranted a new term:

weirderation wir-də-ˈrā-shən noun. process that results in something just that little bit weirder with each iteration. [compare examples A and B]

I am greatly indebted to Catherine Sikora and Josh Sinton for doing the heavy lifting, and turning my barebone sketches and speculations into music; for engageing intelligently, adventurously and imaginatively with the context at hand. These past months have been a learning experience for me as tactician, and I couldn’t have asked for better teachers.

Thanks to Bruce and Manny at the World’s Best Record Store for hosting us, and for their unshakable advocacy of new music. Thanks to Carol Parkinson, Hans Tammen, Kevin Ramsay, Emilio Vavarella and everyone at Harvestworks for hosting our performance, their enthusiasm, and for their support. Thanks again to Kevin Reilly for his video documentation of the DMG performance [watch/listen…], and, as always, thanks to all who came to listen and witness the musicking—real-time and interactive.

Next up: performance in Pittsburgh (November 7) as part of Crucible Sound, then back to New York (November 17) for a duo performance with Viv Corringham [canceled…] back to Brooklyn (November 20) for a duo performance with Anna Webber. See the performance diary for up-to-date info.