performance: Gowanus Company at Douglass Street Music Collective, Brooklyn

Gowanus Company at Douglass Street Music Collective
Tuesday, November 26, 2013, at 7:00pm: Gowanus Company with Dan Blake (saxophone), Olie Brice (double bass), Viv Corringham (voice and electronics), Nick Didkovsky (guitar), Michael Evans (drums), Ken Filiano (double bass), Christopher Hoffman (’cello), Jason Kao Hwang (violin), Kyoko Kitamura (voice), Ingrid Laubrock (saxophone), Jeremiah Lockwood (voice and guitar), Russ Lossing (piano), Han-earl Park (guitar), Tom Rainey (drums), Josh Sinton (saxophone and clarinet), Fay Victor (voice) and others. Curated by Kyoko Kitamura, Josh Sinton and Han-earl Park, the event takes place at Douglass Street Music Collective (295 Douglass Street, Gowanus, Brooklyn, NY 11217) [map and directions…]. $10 suggested donation.

My last gig in Brooklyn, New York, and, for me, it’s my leaving party. I’m honored to be part of this event instigated by Kyoko and Josh.

See the performance diary for up-to-date info. [DSMC page…]

performance: Jack Wright, Ben Wright, Andrew Drury, Joe Moffett, Dan Peck, Han-earl Park and Michael Evans, Brooklyn

Thursday, November 21, 2013, at 7:00pm: a performance by Jack Wright (saxophones) and Ben Wright (double bass) with Andrew Drury (percussion), Joe Moffett (trumpet), Dan Peck (tuba), Han-earl Park (guitar), Michael Evans (percussion) and others as part of Soup and Sound House Concert. The event takes place at Andrew Drury’s home in Lefferts Gardens, Brooklyn (contact him for the location). Recommended donation: $10.

See the performance diary for up-to-date info.

Above video: last time I performed with Jack Wright. With Jonathan Moritz at one of Andrew’s events. Video by Kevin Reilly. [Watch the rest…]

performance: Anna Webber and Han-earl Park at IBeam, Brooklyn

Anna Webber and Han-earl Park
Wednesday, November 20, 2013, at 8:30pm: a performance by Anna Webber (saxophone) and Han-earl Park (guitar) takes place at IBeam (168 7th Street, Brooklyn, NY 11215) [map and directions…]. Also performing: Joe Moffett (trumpet), Carlo Costa (drums) and Dan Peck (tuba). $10 suggested donation.

Super excited! Played a few sessions with Anna, but this will be the long overdue public performance with the stupendously creative Anna Webber.

See the performance diary for up-to-date info.

canceled: Viv Corringham and Han-earl Park at Downtown Music Gallery, New York

Unfortunately the performance by Viv Corringham and Han-earl Park that was to take place on November 17, 2013 at Downtown Music Gallery, New York has been canceled.

Sorry about that. I’m offering the video clips of the August 13 performances by Gerald Cleaver and Han-earl Park, and Viv Corringham and Andrea Parkins as a kind of consolation (the time Viv and I almost performed together).

Next up: performance in Pittsburgh (November 7) as part of Crucible Sound, then back to Brooklyn (November 20) for a duo performance with Anna Webber. See the performance diary for up-to-date info.

Crucible Sound: interview with Han-earl Park

Crucible Sound (Pittsburgh, 11-07-13)
Over at Crucible Sound, Anthony Levin-Decanini interviews Han-earl Park about idiom, identity, collaborators, teaching and a-ha moments:

Idiom, tradition, identity, history (personal or collective) are things that I value. I tend not to subscribe to the vanilla notion of a pure, non-idiomatic state. I value the meeting: I want to know who you are, who I am, and that fascinating stuff is when those things collide—what we have in common, and what separates us. Border crossings are always fascinating; full of contradictions and (potential) misunderstandings….

…Meetings and border crossings make me think of brief encounters, limited investment, not long-arc relationships. Is that what free improvisers are left with: connecting only in that moment? Is that initial collision potentially more interesting to hear than when musicians get to know each other intimately (and calculate accordingly)?

…I do value the band, of long-term collaborations. It allows for greater complexity of interaction, greater speeds of decision making, more oblique, unexpected, choices. We, Eris 136199, coined a new term—‘weirderation’—after our last performance, to denote something—a set of relationships, decision making process—getting just that little bit weirder with each iteration.

On the other hand, spaces such as Crucible Sound have their own value. I’m not sure ‘brief encounters’ necessarily equates to ‘limited investment’ in those relationships.

[Read the rest…]

On Thursday (November 7, 2013), at 8:00pm (doors: 7:30pm): Han-earl Park will be performing with David Bernabo, Edgar Um Bucholtz, J Wayne Clinton and Lenny Young as part of Crucible Sound at ModernFormations (4919 Penn Avenue, Pittsburgh, PA 15224) [map…]. Suggested donation: $7. [Details…]

thanks: Eris 136199 (DMG, NYC) and Park-Sikora-Sinton (Harvestworks, NYC)

Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo copyright 2013 Emilio Vavarella.
Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo © 2013 Emilio Vavarella.

Acknowledgments re the, for the time being, final performances of two projects: Eris 136199 on October 27, and Metis 9 on October 29. My hat goes off to my comrades Nick Didkovsky and Catherine Sikora who make Eris 136199 the site of unexpected choices—of twists and turns. We’d thought our previous performance was weird, this one warranted a new term:

weirderation wir-də-ˈrā-shən noun. process that results in something just that little bit weirder with each iteration. [compare examples A and B]

I am greatly indebted to Catherine Sikora and Josh Sinton for doing the heavy lifting, and turning my barebone sketches and speculations into music; for engageing intelligently, adventurously and imaginatively with the context at hand. These past months have been a learning experience for me as tactician, and I couldn’t have asked for better teachers.

Thanks to Bruce and Manny at the World’s Best Record Store for hosting us, and for their unshakable advocacy of new music. Thanks to Carol Parkinson, Hans Tammen, Kevin Ramsay, Emilio Vavarella and everyone at Harvestworks for hosting our performance, their enthusiasm, and for their support. Thanks again to Kevin Reilly for his video documentation of the DMG performance [watch/listen…], and, as always, thanks to all who came to listen and witness the musicking—real-time and interactive.

Next up: performance in Pittsburgh (November 7) as part of Crucible Sound, then back to New York (November 17) for a duo performance with Viv Corringham [canceled…] back to Brooklyn (November 20) for a duo performance with Anna Webber. See the performance diary for up-to-date info.

performance: Crucible Sound #7 at ModernFormations, Pittsburgh

Crucible Sound (Pittsburgh, 11-07-13)
Thursday, November 7, 2013, at 8:00pm (doors: 7:30pm): David Bernabo (guitar), Edgar Um Bucholtz (coronet, trash), J Wayne Clinton (synthesizer, homemade instruments), Han-earl Park (guitar) and Lenny Young (oboe) perform as part of Crucible Sound. Crucible Sound is a series in which “musicians from different backgrounds and styles collaborate to create live improvised soundworks. The series seeks to support the creation of unexpected music in Pittsburgh and to increase awareness and understanding of the practice of improvisation. Crucible Sound is organized by multi-instrumentalist and improviser Anthony Levin-Decanini” [more…]. The event takes place at ModernFormations (4919 Penn Avenue, Pittsburgh, PA 15224) [map…]. Suggested donation: $7.

See the performance diary for up-to-date info. [Crucible Sound page…]

reminder: Han-earl Park, Catherine Sikora and Josh Sinton at Harvestworks, New York

Tomorrow (Tuesday, October 29, 2013), at 7:00pm: perhaps for the last time, Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (saxophone and clarinet) will render Metis 9. The performance takes place at Harvestworks (596 Broadway #602, New York, NY 10012) [map and directions…]. Free admission.

reminder: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at Downtown Music Gallery, New York

This Sunday (October 27, 2013), at 6:00pm: maybe your last chance to hear Nick Didkovsky (guitar), Han-earl Park (guitar), and Catherine Sikora (saxophones), a.k.a. Eris 136199, visit the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Also performing is Samm Bennett. The event takes place at Downtown Music Gallery (13 Monroe Street, New York, NY 10002-7351) [map…]. Free admission.

performance diary 10-23-13 (Brooklyn, New York, Pittsburgh)

upcoming performances
date venue time details
October 27, 2013 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
6:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones). Also performing: Samm Bennett. Free admission.
[Details…] [DMG page…]
October 29, 2013 Harvestworks
596 Broadway #602
New York, NY 10012
7:00pm Performance of Metis 9 by Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (saxophone and clarinet).
Free admission.
[Details…] [Harvestworks page…]
November 7, 2013 ModernFormations
4919 Penn Avenue
Pittsburgh, PA 15224
8:00pm (doors: 7:30pm) Performance by David Bernabo (guitar), Edgar Um Bucholtz (coronet, trash), J Wayne Clinton (synthesizer, homemade instruments), Han-earl Park (guitar) and Lenny Young (oboe) as part of Crucible Sound.
Suggested donation: $7.
[Details…] [Crucible Sound page…]
November 17, 2013 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
6:00pm Canceled! Performance by Viv Corringham (voice and electronics) and Han-earl Park (guitar). Details to follow…
Free admission.
November 20, 2013 IBeam
168 7th Street
Brooklyn, NY 11215
8:30pm Performance by Anna Webber (saxophone) and Han-earl Park (guitar). Also performing: Joe Moffett (trumpet), Carlo Costa (drums) and Dan Peck (tuba). $10 suggested donation.
[Details…]
November 21, 2013 Andrew Drury’s home
[Contact for location…]
Lefferts Gardens
Brooklyn, NY
7:00pm Soup and Sound House Concert with Jack Wright (saxophones) and Ben Wright (double bass) with Andrew Drury (percussion), Joe Moffett (trumpet), Dan Peck (tuba), Han-earl Park (guitar), Michael Evans (percussion) and others.
Recommended donation: $10.
[Details…]
November 26, 2013 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
7:00pm Gowanus Company curated by Kyoko Kitamura, Josh Sinton and Han-earl Park. Performers: Dan Blake (saxophone), Olie Brice (double bass), Viv Corringham (voice and electronics), Nick Didkovsky (guitar), Michael Evans (drums), Ken Filiano (double bass), Christopher Hoffman (’cello), Jason Kao Hwang (violin), Kyoko Kitamura (voice), Ingrid Laubrock (saxophone), Jeremiah Lockwood (voice and guitar), Russ Lossing (piano), Han-earl Park (guitar), Tom Rainey (drums), Josh Sinton (saxophone and clarinet), Fay Victor (voice) and others. Recommended donation: $10.
[Details…] [DSMC page…]
2014– Europe I will be moving back to Europe at the start of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Numbers (with Richard Barrett), Mathilde 253 (with Charles Hayward and Ian Smith), and io 0.0.1 beta++ (with Bruce Coates and Franziska Schroeder). Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 10-23-13 (Brooklyn, New York, Pittsburgh)”

Bird is the Worm: Work Spaces

Han-earl Park’s work space, Brooklyn
As Dave Sumner describes it, Work Spaces is “a series of photos of artist work spaces… the places where the creative process takes shape and form,” and in this edition features:

Han-earl Park work space in his Kensington, Brooklyn apartment. According to Park, it is also where Gisel the cat performs her role as music critic. [More…]

Also featured as part of Work Spaces is Catherine Sikora, Ian Smith and Han-earl Park’s download album which Sumner previously reviewed, and on this occasion describes as “improvised music, straight from the heart”. [More about this recording…] [All reviews…]

Also available for download [more…]

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

performance: Han-earl Park, Catherine Sikora and Josh Sinton at Harvestworks, New York

Tuesday, October 29, 2013, at 7:00pm: Free play meets social engineering? ‘Glorious noise’? Anti-structures? Willful complexity? Perhaps the last chance to hear Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (saxophone and clarinet) explore interactive noise and improvisative complexity via Metis 9. The performance takes place at Harvestworks (596 Broadway #602, New York, NY 10012) [map and directions…]. Free admission.

See the performance diary for up-to-date info. [Harvestworks page…]

details

Free play meets social engineering? ‘Glorious noise’? Anti-structures? Willful complexity? An orchestrated, real-time, interactive collision between the cyborgism of guitarist Han-earl Park, and the incomparably original melodic and timbral sensibilities of saxophonist Catherine Sikora and saxophonist-clarinetist Josh Sinton. The trio will render into music, Metis 9, a collection of improvisative tactics, and higher-level interactive macros for group improvisation.

An orchestrated, real-time, interactive collision between the cyborgism of guitarist Han-earl Park, and the incomparably original melodic and timbral sensibilities of saxophonist Catherine Sikora and saxophonist-clarinetist Josh Sinton. The trio will render into music, Metis 9, a collection of improvisative tactics, and higher-level interactive macros for ensemble performance designed, designated and specified by Han-earl Park.

Metis 9 has ‘glorious noise’ or ‘frenzy’ at its root, yet it is not so much structuring the noise as it is a meta-layer of complexity that performers can introduce at will. Metis 9 does not tell the performer what to play, or provide all the details of how to interact, but it is an auxiliary network protocol for interactive possibilities. Group improvisation is always the primary protocol; Metis 9 provides secondary or tertiary tactics that create an additional focused complexity. The decision for each bloop and bleep is still retained by the ensemble. These macros enable specific interactionist schemes to be expressed in an open improvisative context; it is improvisative play channeled by group consent.