Dustin Carlson’s home
285 Midwood Street
Brooklyn, NY 11225
8:00pm (doors: 7:00pm)
Han-earl Park (guitar) and Josh Sinton (saxophone and clarinet), plus Anna Webber and Mariel Berger, and Natura Morta (F.L., Sean Ali and Carlo Costa).
[Details…]
Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!
2013
Europe
Seeking performances in Europe, 2013 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]
A couple of house concerts coming up in June with Andrew Drury, and with Josh Sinton, both in Lefferts Gardens, Brooklyn, New York (see the performance diary for up-to-date info).
June 22, 2012: Performance by Han-earl Park (guitar) and Josh Sinton (saxophone and clarinet), plus Anna Webber and Mariel Berger, and Natura Morta (F.L., Sean Ali and Carlo Costa). Takes place at Dustin Carlson’s home (285 Midwood Street, Brooklyn, NY 11225), and starts 7:00pm (Josh and I are performing the final set).
[Performance diary entry…]
Should be a fun way to spend a couple of summer evenings in Brooklyn!
Mono kudos to the Ultimate Nick Didkovsky and the Astonishing Catherine Sikora for the noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. For forging a space where melody can be melody, noise can be noise, meter can be meter, bluegrass can be bluegrass, all there, all necessary without imploding under idiomatic pressures. To Nick’s noisy, unruly complexity, where ‘extended technique’ doesn’t mean you can’t jam-on-C. To Catherine with her big, big sound, formidable technique, and impeccable melodic sense, who to quote Michael Lytle’s description of the performance “sailed around and through” the “sound machines.” Let’s return to this trio soon!
On sait les liens qui unissent Dunmall et Sanders – ce qu’ils ont pu donner par le passé : de Shooters Hill enregistré en sextette en présence de Paul Rutherford à I Wish You Peace du Moksha Big Band –, c’est donc la présence de Park – que l’on a pu entendre récemment auprès d’un autre britannique de taille, Lol Coxhill, sur Mathilde, et se fit remarquer déjà auprès de Dunmall et Sanders sur un Live at the Glucksmann Gallery – qui intéresse ici. Aux salves imparables du ténor, il oppose des nappes et quelques arpèges accrochés quand Sanders compte les points avec aplomb.
Plus loin, c’est à la cornemuse puis au soprano qu’intervient Dunmall : pour déjouer ses tours (de force et d’adresse), Park choisit une nouvelle fois la subtilité : ses accords étouffés renversent les échanges du trio, transformés bientôt en horizontalité sur laquelle les trois hommes s’entendent alors en apaisés.
Thanks to Trevor Brent and everyone at Freedom of the City for a fantastic and welcoming festival; to Rob Mackay of the University of Hull-Scarborough Campus for being a wonderful, generous host—organizing the performance, housing and feeding the musicians; and to Jazz @ The Oxford for their open mindedness and enthusiasm. Special thanks to John Chantler and Hamish Dunbar at Cafe OTO for helping this itinerant musician step across the border, to John Coxon for the use of his lovely amplifier at FOTC, and to Seán Kelly for evolving into Mathilde 253’s official photographer!
Kudos to all the musicians involved: to Richard Barrett for pushing and pulling the music into new spaces, and for illuminating and exploring the possibilities of real-time interactive music; to Charles Hayward and Ian Smith—two musicians who never miss a beat—for the real rock-out (despite 1/3 of Mathilde 253 begin zombified by a cold); to Dom Lash, Phillip Marks and, in particular, to Mark Hanslip for inviting me to join in their spontaneous inventions and discoveries.
And finally, as always, thanks to all who came to watch/listen!
Dustin Carlson’s home
285 Midwood Street
Brooklyn, NY 11225
8:00pm (doors: 7:00pm)
Han-earl Park (guitar) and Josh Sinton (saxophone and clarinet), plus Anna Webber and Mariel Berger, and Natura Morta (F.L., Sean Ali and Carlo Costa).
[Details…]
July 24, 2012
The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!
early 2013
Europe
Seeking performances in Europe, early 2013 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]
…A trio featuring ex-This Heat drummer Charles Hayward, electric guitarist Han-Earl Park and trumpeter Ian Smith. Hayward was playing at his most impressionistic, Smith’s trumpet correspondingly all smears and blurs, offset by Park’s scrabble of overlapping notes and smears…. Park and Smith were the new discoveries of the festival for me; names to add to the must-see list, for future reference. [Read the rest…]
Han Earl-Park’s idiosyncratic guitar style was beguiling, his array of tiny, sharp sounds glinting like fragments of broken glass – the interplay between him and trumpeter Ian Smith was almost telepathic, changing directions as one, and the music coming to two seemingly unplanned and instinctive dead stops. [Read the rest…]
Freedom of the City kicks-off this weekend, and on Sunday (May 6, 2012), at 2:00pm Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) will perform in an event that will also include performances by John Edwards, Caroline Kraabel and Lee Patterson; Terry Day; and the London Improvisers Orchestra. The event takes place at Cecil Sharp House (2 Regent’s Park Road, Camden, London NW1 7AY, England) [map…]. [More info…]