Thanks to Jesse Ronneau of EIMM, Hilary Jeffery and Richard Scott of AUXXX, Marco Eneidi of the Neu New York / Vienna Institute of Improvised Music for organizing the performances, and for hosting this itinerant musician. Thanks also to Jaap Pieters whose films added an extra interactive complication (in the best possible sense) to the AUXXX performance, Richard Scott for the informal recording session in Berlin, and to all the performers who were involved in EIMM and Neu New York / Vienna Institute of Improvised Music.
And a big, big thanks to Richard Barrett for the pushing/pulling me. I’m in awe of Richard’s skill and craft, and I hope I managed to keep up with his energy and creativity. I recall, during our twenty-five minute duet, at least four points during which I fumbled the ball, but I still think he got some of the best playing out of me. It was certainly a mental and physical workout, and I leaned a lot during that performance. Hope to play again!
As always, thanks to all who came to listen/watch—it was a pleasure to share the journey.
Han-earl Park and Richard Barrett (original photos by Stephanie Hough and Luis Neuenhofer)
about the performers
Richard Barrett is equally active in electronic free improvisation and notated composition. Recent compositions have been premiered by the London Sinfonietta and the Symphonie-Orchester des Bayerischen Rundfunks, and in 2010 he has performed at the Venice Biennale, Inventionen (Berlin), Jazz em Agosto (Lisbon), Spark (Minneapolis), Muziekgebouw aan ‘t IJ (Amsterdam), MusikTriennale Köln and elsewhere. He is currently a guest professor at the Instituut voor Sonologie in Den Haag, where he leads a workshop in electroacoustic improvisation. Current work in progress includes CONSTRUCTION, a two-hour composition for voices, twenty instruments and electronics, which is the latest result of his twenty-year collaboration with the Elision Ensemble and whose premiere is planned for November 2011. He and Paul Obermayer have been working together as the electronic duo FURT since 1986 and formed the electroacoustic octet fORCH in 2005. He also performs regularly with vocalist Ute Wassermann, in the Evan Parker Electroacoustic Ensemble and in many other contexts, and has recorded for NMC, Matchless, Unsounds, ECM, Creative Sources, Psi and others.
Improviser, guitarist and constructor Han-earl Park (박한얼) works from/within/around traditions of fuzzily idiomatic, on occasion experimental, mostly open improvised musics, sometimes engineering theater, sometimes inventing ritual. He feels the gravitational pull of collaborative, multi-authored contexts, and has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Denmark, England, Ireland, The Netherlands, Scotland and the USA. He is involved in ongoing collaborations with Bruce Coates, and with Franziska Schroeder, fifteen year long associations with Alex Fiennes and Murray Campbell. Recent performances include ensemble Mathilde 253 (Park, Charles Hayward and Ian Smith) with Lol Coxhill, a duo concert with Paul Dunmall, a trio with Kato Hideki and Katie O’Looney, an improvisative meeting with Thomas Buckner and Jesse Ronneau, and the performance of Pauline Oliveros’ ‘Droniphonia’ alongside the composer. He has appeared at festivals including Sonic Acts (Amsterdam), the Center for Experiments in Art, Information and Technology Festival (California), dialogues festival (Edinburgh), Sonorities (Belfast) and VAIN Live Art (Oxford). Park founded and curates Stet Lab, a monthly improvised music space in Cork, Ireland, and teaches improvisation at the UCC School of Music.
Stet Lab returns! With Kevin Terry (guitar), Marian Murray (violin) and Jeffrey Weeter (drums), plus Han-earl Park (guitar), Claudia Schwab (violin) and Dan Walsh (drums).
Admission: €10/5.
[Details…]
