Sunday, September 22, 2013, at 8:00pm: Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (saxophone and clarinet) explore interactive noise and improvisative complexity via Metis 9. Also performing: Lisa Mezzacappa Trio (Chris Welcome: guitar and voice; Lisa Mezzacappa: double bass; and Mike Pride: drums). The event takes place at Douglass Street Music Collective (295 Douglass Street, Gowanus, Brooklyn, NY 11217) [map and directions…]. $10 suggested donation.
See the performance diary for up-to-date info. [DSMC page…] [facebook event…]
about Metis 9
Metis 9 is a collection of improvisative tactics, and higher-level interactive macros for ensemble performance designed, designated and specified by Han-earl Park.
Metis 9 has ‘glorious noise’ or ‘frenzy’ at its root, yet it is not so much structuring the noise as it is a meta-layer of complexity that performers can introduce at will. Metis 9 does not tell the performer what to play, or provide all the details of how to interact, but it is an additional network protocol for interactive possibilities. Group improvisation is always the primary protocol; Metis 9 provides secondary or tertiary tactics that create an additional focused complexity. The decision for each bloop and bleep is still retained by the ensemble. These macros enable specific interactionist schemes to be expressed in an open improvisative context; it is improvisative play channeled by group consent.