thanks: London*2 and Scarborough

London*2 and Scarborough, May 2012
Thanks to Trevor Brent and everyone at Freedom of the City for a fantastic and welcoming festival; to Rob Mackay of the University of Hull-Scarborough Campus for being a wonderful, generous host—organizing the performance, housing and feeding the musicians; and to Jazz @ The Oxford for their open mindedness and enthusiasm. Special thanks to John Chantler and Hamish Dunbar at Cafe OTO for helping this itinerant musician step across the border, to John Coxon for the use of his lovely amplifier at FOTC, and to Seán Kelly for evolving into Mathilde 253’s official photographer!

Kudos to all the musicians involved: to Richard Barrett for pushing and pulling the music into new spaces, and for illuminating and exploring the possibilities of real-time interactive music; to Charles Hayward and Ian Smith—two musicians who never miss a beat—for the real rock-out (despite 1/3 of Mathilde 253 begin zombified by a cold); to Dom Lash, Phillip Marks and, in particular, to Mark Hanslip for inviting me to join in their spontaneous inventions and discoveries.

And finally, as always, thanks to all who came to watch/listen!

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) is available from SLAM Productions [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

tonight: Mark Hanslip, Dominic Lash, Phillip Marks and Han-earl Park at The Oxford, London

Mark Hanslip, Dominic Lash, Phillip Marks and Han-earl Park
Tonight (May 7, 2012), at 9:00pm: a performance by Mark Hanslip (saxophone), Dominic Lash (double bass), Phillip Marks (drums) and Han-earl Park (guitar) presented by Jazz @ The Oxford takes place at The Oxford (256 Kentish Town Road, London, England). Admission: £5.

performance: Nick Didkovsky, Han-earl Park and Catherine Sikora at ABC No Rio, New York

Nick Didkovsky, Han-earl Park and Catherine Sikora
Sunday, May 27, 2012, 6:00pm: Nick Didkovsky (guitar), Han-earl Park (guitar) and Catherine Sikora (saxophones) perform the penultimate set of COMA: Citizens Ontological Music Agenda. Also performing are Jim Goodin, Frederika Kreier, and the Rocco John Iacovone ensemble. The event starts at 6:00pm, takes place at ABC No Rio (156 Rivington Street, New York, NY 10002) [map/directions…], and admission is $5.

See the performance diary for up-to-date info. [ABC No Rio page…] [facebook event…]

reminder: Numbers (Richard Barrett and Han-earl Park), Scarborough

Han-earl Park and Richard Barrett (original photos by Stephanie Hough and Luis Neuenhofer)
original photos by Stephanie Hough and Luis Neuenhofer

This Thursday (May 3, 2012), at 7:30pm: a performance by Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) takes place at Performance Space 2 (University of Hull: Scarborough Campus, Filey Road, Scarborough, England). Admission is £4 (£3).

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

Annea Lockwood on io 0.0.1 beta++

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

The website of machine improviser io 0.0.1 beta++ quotes the composer and explorer of our relationship to everyday (and not so everyday) artifacts, Annea Lockwood’s response to ‘io 0.0.1 beta++’ (SLAMCD 531):

The interaction between io and the three other players is really supple… and I like very much the gritty complexity of io’s vocabulary, and the fine sense of shaping, timbrally and in terms of gesture….

[Read the rest…]

‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

performance: Mark Hanslip, Dominic Lash, Phillip Marks and Han-earl Park at The Oxford, London

Mark Hanslip, Dominic Lash, Phillip Marks and Han-earl Park
Monday, May 7, 2012, at 9:00pm (doors: 8:30pm): a performance by Mark Hanslip (saxophone), Dominic Lash (double bass), Phillip Marks (drums) and Han-earl Park (guitar) presented by Jazz @ The Oxford takes place at The Oxford (256 Kentish Town Road, London, England). Admission: £5.

See the performance diary for up-to-date info. [Jazz @ The Oxford listings page…] [facebook event…]

updates

04–30–12: add facebook event page.

performance: Numbers (Richard Barrett and Han-earl Park), Scarborough

Han-earl Park and Richard Barrett (original photos by Stephanie Hough and Luis Neuenhofer)
original photos by Stephanie Hough and Luis Neuenhofer

Thursday, May 3, 2012, at 7:30pm: a performance by Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) takes place at Performance Space 2 (University of Hull: Scarborough Campus, Filey Road, Scarborough, England). Admission is £4 (£3).

See the performance diary for up-to-date info. [facebook event…]

about Numbers

Numbers is a high-energy, quick-footed, scatter-brained two hander—a looping, convoluted, interactive dance made audible—a musical fender bender involving electroacoustic complexities and (physio)logical splutter-cuts, jump-cuts and match-cuts—an intense white-knuckle extemporization unit—the duo of composer, performer and electronic musician Richard Barrett and guitarist, improviser and constructor Han-earl Park.

Celebrated for his dense, complex, intricate music, Richard Barrett is perhaps best known for his work with Paul Obermayer as part of FURT, as part of the Evan Parker Electro-Acoustic Ensemble, and his close collaborations with the Elision Ensemble. At home in both composition and improvisation, Barrett’s music increasingly problematizes the distinction between them. Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, and is part of Mathilde 253 with Charles Hayward and Ian Smith. First performing together as duo in at AUXXX, Berlin, October 2010, Barrett and Park engage in a continuing improvisative conversation; alternately claiming autonomy and independence, and group action and solidarity.

Their first CD, ‘Numbers’ (CS 201 cd), recorded at the Institute of Sonology (The Hague), was released by Creative Sources Recordings in February 2012. [Details…]

Richard Barrett is internationally active as both composer and improvising performer, and has collaborated with many leading performers in both areas, while developing works and ideas which increasingly leave behind the distinctions between them. His long-term collaborations include the electronic duo FURT which he formed with Paul Obermayer in 1986 (and its more recent octet version fORCH), composing for and performing with the Elision contemporary music group since 1990, and regular appearances with the Evan Parker Electro-Acoustic Ensemble since 2003. Recent projects include “CONSTRUCTION”, a two-hour work for twenty performers and three-dimensional sound system, premiered by Elision in November 2011. He is based in Berlin and currently teaches at the Institute of Sonology in The Hague. His work as composer and performer is documented on over 20 CDs, including five discs devoted to his compositions and seven by FURT.

Improviser, guitarist and constructor Han-earl Park works within/from/around traditions of fuzzily idiomatic, on occasion experimental, mostly open improvised musics, sometimes engineering theater, sometimes inventing ritual. He feels the gravitational pull of collaborative, multi-authored contexts, and has performed in clubs, theaters, art galleries and concert halls in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

He is part of Mathilde 253 with Charles Hayward and Ian Smith, and is involved in ongoing collaborations with Bruce Coates, Franziska Schroeder, Alex Fiennes and Murray Campbell. He has recently performed with Ishmael Wadada Leo Smith, Lol Coxhill, Pat Thomas, Paul Dunmall, Mark Sanders, Matana Roberts, Richard Barrett, Pauline Oliveros, Thomas Buckner and Kato Hideki. Festival appearances include Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), and CEAIT Festival (California). His recordings have been released by labels including Slam Productions and DUNS Limited Edition.

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

updates

04–30–12: add facebook event page.

thanks: Gowanus Company IV at the Douglass Street Music Collective, Brooklyn

Douglass Street Music Collective
Had a lot of fun being part of Gowanus Company IV at the Douglass Street Music Collective on Sunday (April 8, 2012). Here is, as best as I can recall, the performers who participated at this DB inspired event:

Michael Bates (double bass), Matt Bauder (saxophone and clarinet), Sarah Bernstein (violin), Ken Filiano (double bass), Brad Henkel (trumpet), Ingrid Laubrock (saxophones), Weston Minissali (synthesizer), Han-earl Park (guitar), ‘secret special guest’ (trumpet), Josh Sinton (saxophone and clarinet), Vinnie Sperrazza (drums), Jesse Stacken (piano) and Booker Stardrum (drums).

Thanks to all the performers for allowing me to share the stage with them (next time, Matt, Ken and Ingrid), and big thanks, in particular, to Josh for the invite and putting the whole thing together.

performance: Gowanus Company IV at the Douglass Street Music Collective, Brooklyn

Gowanus Company IV
This Sunday (April 8, 2012) at 8:30pm: Han-earl Park will be performing as part of Gowanus Company IV with Michael Bates, Matt Bauder, Ken Filiano, Brad Henkel, Ingrid Laubrock, Weston Minissali, Josh Sinton, Vinnie Sperrazza, Jesse Stacken, Booker Stardrum and “secret, special guests”:

In the spirit of Derek Bailey’s Company week, a once-in-a-lifetime chance to catch several creative musicians playing together who have never played together. [Read the rest…]

The event takes place at the Douglass Street Music Collective (295 Douglass Street, Gowanus, Brooklyn, NY 11217) [map and directions…]. $10 suggested donation.

See the performance diary for up-to-date info. [DSMC page…]

reminder: Han-earl Park at the Downtown Music Gallery, New York

Han-earl Park
Han-earl Park (Photo © 2010 Stephanie Hough)

This Sunday (April 1, 2012), at 7:00 pm: a solo set by Han-earl Park (“Solo Electric Guitar from World Traveling Improviser” according to Bruce Lee Gallanter), preceded at 6:00 pm by an ‘April Fool’s Day Mystery Set’ (“Mysterious UK Trumpeter & JOSH SINTON – Baritone Sax”), at the Downtown Music Gallery (13 Monroe Street, New York, NY 10002-7351) [map…]. Free admission. [Details…]

io 0.0.1 beta++: seeking performances (Europe, 2013)

io 0.0.1 beta++, Bruce Coates and Franziska Schroeder, Blackrock Castle Observatory, 05-26-2010 (photo copyright 2010, Stephanie Hough)
io 0.0.1 beta++, Bruce Coates and Franziska Schroeder (Blackrock Castle Observatory, Cork, May 26, 2010). Photo © 2010 Stephanie Hough.

Seeking performance opportunities; particularly in Europe 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder.

See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.).

overview

This quartet (or faux-quartet, if you prefer) performs demanding free improvisation calling on a range of extended techniques. Pieces of dismantled gestures, destabilizing timbres, and impressive synergy.

François Couture (Monsieur Délire)

An idea that would be pleasing to the Futurists of a century ago, a total hymn to modernity…. The completely improvised session requires a lot of attention from the listener, to be fully repaid by that which is a successful experiment.

Vittorio (MusicZoom)

We watch and listen carefully because we know we’re seeing a kind of manifesto in action. What is an automaton? A sketch, a material characterization of the ideas the inventor and the inventor’s culture have about some aspect of life, and how it could be. io and its kind are alternate beings born of ideas, decisions and choices. It is because io stands alone, an automaton, that the performance recorded on this CD not only is music, but is about music.

Sara Roberts (from the liner notes to SLAMCD 531)

An extraordinary meeting between human and machine improvisers. Featuring the machine musician io 0.0.1 beta++ with guitarist Han-earl Park and saxophonists Bruce Coates and Franziska Schroeder, the performance is part critique and part playful exploration, both a boundary-breaking demonstration of socio-musical technologies and an ironic sci-fi parody.

Constructed by Han-earl Park, io 0.0.1 beta++ is a modern-day musical automaton. It is not an instrument to be played but a non-human artificial musician that performs alongside its human counterparts. io 0.0.1 beta++ representing a personal-political investigation of technology, interaction, improvisation and musicality. It whimsically evokes a 1950s B-movie robot—seemingly jerry-rigged, constructed from ad-hoc components including plumbing, kitchenware, speakers and missile switches—celebrating the material and corporeal.

The performances with this artificial musician highlights society’s entanglement with technology, demonstrates alternative modes of interfacing the musical and the technological, and illuminates the creative and improvisative processes in music. The performance is a radical and playful engagement with powerful and problematic dreams (and nightmares) of the artificial; a dream as old as the anthropology of robots.

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

The CD ‘io 0.0.1 beta++’ (SLAMCD 531) was released by SLAM Productions in August 2011.

further information

* Additional audio recordings and documentation available on request.

[Full performance proposal…]
[Original post at www.io001b.com…]

updates

11–08–12: change of availability from 2013 to 2014. [More info…]

performance: Han-earl Park at the Downtown Music Gallery, New York

Han-earl Park
Han-earl Park (Photo © 2010 Stephanie Hough)

Sunday, April 1, 2012, at 7:00 pm: a solo (or guitar-guitarist duet) set by Han-earl Park at the Downtown Music Gallery (13 Monroe Street, New York, NY 10002-7351) [map…]. (It’s probably about time: it’s been a year and a half since my last solo performance.) There’s also an ‘April Fool’s Day Mystery Set’ at 6:00pm. Free admission.

See the performance diary for up-to-date info. [DMG page…]