This promises to be music with great depth and vibrance!
about the musicians
Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He is the mastermind behind ensembles including Eris 136199 with Catherine Sikora and Nick Didkovsky; and Sirene 1009 with Dominic Lash, Mark Sanders and rit.; and has a duo with Richard Barrett.
Anton Hunter is a composer and improviser living in Manchester. He leads the 11-piece Article XI band as well as his own trio, both with records on Efpi Records. Also ongoing is a duo with baritone saxophonist Cath Roberts called Ripsaw Catfish, Cath’s quintet Sloth Racket, the trio Beck Hunters and a myriad of other different ensembles, ad hoc and otherwise.
Born in Canada, clarinetist Heather Roche trained in England and now lives in London. She gives workshops in clarinet technique and composition all over Europe, and has premiered many solo works for her instrument, including pieces by Maija Hynninen, Simon Emmerson, Lisa Robertson, Christopher Fox, Dai Fujikura, and others.
Funded by Berlin Senate Department for Culture and Community.
What happens to interaction when gesture and context are removed by distance? Han-earl Park and Carina Khorkhordina each perform their compositions for solo improviser and video projection. Building on their work developed before (and during) ‘all-our-lockdowns,’ SPLICE is a playful, noisy exploration of the oblique fictions of here and now, and then and there.
It’s an unusual situation for me, as an improviser, whose work depends on a certain kind of immediacy of response—of audience feedback—to present a work for the first time ‘for real’ after having lived with it for this long. ‘Nervously excited’ doesn’t even begin to describe how I’m feeling. Please, please join me next week on this moment of discovery.
Was passiert mit Interaktion, wenn Geste und Kontext aufgrund von Distanz nicht mehr vorhanden sind? Han-earl Park und Carina Khorkhordina stellen jeweils ihre Kompositionen für Solo-Improvisatoren und Videoprojektion vor. Aufbauend auf ihrer Arbeit, die sie vor (und während) der “all-our-lockdowns” entwickelt haben, ist SPLICE eine spielerische, lautstarke Erkundung schräger Fiktionen im ‘Hier und Jetzt’ und des ‘Dann und Dorthin.’
What happens to interaction when gesture and context are removed by distance? Han-earl Park and Carina Khorkhordina each perform their compositions for solo improviser and video projection. Building on their work developed before (and during) ‘all-our-lockdowns,’ SPLICE is a playful, noisy exploration of the oblique fictions of here and now, and then and there.
Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe, Korea and the USA.
Park is the mastermind behind ensembles including Eris 136199 with Catherine Sikora and Nick Didkovsky; Juno 3 with Lara Jones and Pat Thomas; and Sirene 1009 with Dominic Lash, Mark Sanders and rit.; and has a duo with Richard Barrett. He is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Pauline Oliveros, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury and Franziska Schroeder.
His ensembles have appeared at festivals including Jazz em Agosto (Lisbon), Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), dialogues festival (Edinburgh) and Sonic Acts (Amsterdam). His recordings have been released by labels including NEWJAiM, SLAM Productions and DUNS Limited Edition. Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.
Carina Khorkhordina is a trumpet player, photographer and an interdisciplinary artsit living in Berlin since 2014. Aside from developing her music on the trumpet and playing concerts she is working on a series of site-specific performances in the public space of Berlin in collaboration with different musicians, presented as short films and bringing together her interest in urban space, sonic possibilities of the trumpet, field recordings and video documentation.
She has been performing in the context of improvised and experimental music since 2017. The active groups include the duo with Eric Bauer, Slurge (with Eric Bauer, Burkhard Beins, Wolfgang Seidel), Klub Demboh, the duo with Axel Dörner and the trio with Eric Bauer and Lena Czerniawska, as well as a variety of ongoing collaborations.
Between 2016 and 2020 she was a student of various photography programs at FotoDepartament Institute in St. Petersburg, Russia.
Reeds pop’n’slap, strings scratch’n’snap, and membranes flutter and resonate.
Dream a little noisy, gently disquieting dream with us. I’m super proud to be part of a trio with Yorgos and Camila, and I am super happy to be bringing our particular clangerociousness to you. (Plus I am alway excited to see what Sara and Marco bring to the table!)
