video discography

I’ve created a video discography—a YouTube playlist of video ‘trailers’ for selected albums. (This now joins the video playlist of selected performances and 13 hours or so of ‘recent’ performances.)

The albums currently represented in the playlist are Numbers (CS 201 cd) with Richard Barrett [more info (get the CD)…]; io 0.0.1 beta++ (SLAMCD 531) with Bruce Coates and Franziska Schroeder [more (CD/download)…]; and Mathilde 253 (SLAMCD 528) with Charles Hayward and Ian Smith plus Lol Coxhill [more (CD/download)…]; with more to come.

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

Numbers (CS 201 cd) [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar). [About this duo…]

© + ℗ 2012 Creative Sources Recordings.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

09–22–14: embedded playlist starts with Numbers.

site update: Han-earl Park bio plus YouTube playlist

Although nowhere near a big a revision as the last major update, I’ve made some significant changes to my bio. Below is the new verbose, everything-but-the-kitchen-sink, 472 word version [shorter versions…].

Improviser, guitarist and constructor Han-earl Park (박한얼) (www.busterandfriends.com) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. He has guested with Gargantius Effect (Murray Campbell and Randy McKean), the Mark Hanslip/Dominic Lash/Phillip Marks Trio, and Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle); performed as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros; and participated in improvisative meetings with Gerald Cleaver, Andrea Parkins, Tom Rainey, Mike Pride, Anna Webber, Jack Wright and Ingrid Laubrock. He has studied with improviser-composers Wadada Leo Smith, Richard Barrett, Joel Ryan, Mark Trayle, Chick Lyall and David Rosenboom, composers Clarence Barlow and Marina Adamia, and interactive media artist Sara Roberts.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), International Society for Improvised Music (New York), dialogues festival (Edinburgh), VAIN Live Art (Oxford), Center for Experiments in Art, Information and Technology Festival (Los Angeles) and Sonic Acts (Amsterdam). In addition to numerous self-released albums, his recordings have been released by Slam Productions, Creative Sources, Vicmod Records, FrImp, Owlhouse Recordings and DUNS Limited Edition. His music has been featured on anthologies released by Bridge Records, farpoint recordings and Frog Peak Music. He has performed live on Resonance FM (London), Drift Radio (Scotland), and KVMR 89.5 FM (Nevada County), interviewed on RTÉ Morning Ireland and RTÉ Nova (Ireland), and his recordings have been broadcast around the world.

Park taught improvisation at University College Cork (2006–2011), and founded and curated (2007–2011) Stet Lab, a space for improvised music in Cork. He is a recipient of grants from the Arts Council of Ireland (2007, 2008 and 2009) and Music Network (2009 and 2010), and of the Ahmanson Foundation Scholarship (1999) and the CalArts Scholarship (1999 and 1999–2000).

[Han-earl Park’s biography (16–472 words) plus press quotes…]

I’ve also taken the opportunity to create a new video playlist of selected performances. With 52 videos, and clocking in at around 13 hours, my previous playlist of ‘recent’ performances was no longer able to be an effective portfolio reel. Thanks as always to the videographers (Don Mount, Kevin Reilly and Scott Friedlander), and to all the performers.

online: Paul Dunmall and Han-earl Park, ‘Boolean Transforms’

The entire catalog of Paul Dunmall’s record label, DUNS Limited Edition, is now online:

Duns Limited Edition has ceased production, but during its lifetime it was pretty prolific. Having founded the label himself, Paul relished in the freedom to record and release on cdr a multitude of projects, playing with like-minded, creative musicians at his invitation. All the music is totally freely improvised. [Read the rest…]

[DUNS on YouTube…] [Facebook…]

And, as part of that catalog, you’ll find Boolean Transforms (DLE-067) by Paul Dunmall and Han-earl Park recorded way back in November 2009. Physical copies of this and some other DUNS albums are still available from Downtown Music Gallery and from Mind Your Own Music, and you can view some video footage from this concert.

Also by Paul Dunmall and Han-earl Park

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.

thanks: Eris 136199 (ISIM, NYC), Rasmussen-Foster-Niggenkemper-Park (DMG, NYC) and Park-Rainey (Why Not Jazz Room, NYC)

A belated note of thanks for all involved in the June 6, June 6 (no that’s not a typo—two performances on that day), and June 8 events. Thanks to the folk at ISIM, and in particular to Richard Robeson, Billy Satterwhite and Ed Sarath for organizing, curating and facilitating the event, and to Christopher Hoffman for the tech support; to Bruce and everyone at Downtown Music Gallery, the World’s Greatest Record Store (seriously, go buy a record from them right now); and to Andrea Wolper and her amazing series, and to Why Not Jazz Room. Thanks also to the multiple documentarists: videographers Don Mount and Juan Ant [watch/listen…], and to photographer Peter Gannushkin [see…].

As always, big thanks to the creative folk who shared the stage with me; it’s always a privilege. Applaud these folk: Mette Rasmussen, Michael Foster, Pascal Niggenkemper; Tom Rainey (how does one perform with a drummer who can anticipate every move?); and the two that complete Eris 136199: Nick Didkovsky and Catherine Sikora (always a blast).

Finally, thanks to all who came to listen. That’s to be my last visit to New York for sometime, and, audience big or small, it’s always a pleasure to perform for you.

site update: scrapbook redux reboot

web audio player widget
Another summary of the updates to my scrapbook since the last review. A few newer clips from Brooklyn and New York which include some of the best music I’ve been involved in (the duo with Gerald Cleaver, in particular, has, for me, some of my best playing), plus a blast from the past: Mathilde 253 in Cork. With the latest updates, I’ve also taken the opportunity to split the scrapbook across two pages (with so much embedded media, it was getting near impossible for those with slower computers and/or connections to load the page).

Please note that all music and audio recordings © + ℗ their respective owners (i.e. these are not covered by a Creative Commons License).

Han-earl Park (guitar), Catherine Sikora (saxophones) and Mike Pride (drums).

Music by Han-earl Park, Catherine Sikora and Mike Pride.
Recorded live, April 2, 2014 at Spectrum, New York.
Recorded by Don Mount.

Evan Parker (saxophone) and Han-earl Park (guitar), plus Peter Evans (trumpet) and Okkyung Lee (’cello).

Music by Evan Parker and Han-earl Park, plus Peter Evans and Okkyung Lee.
Recorded live, September 19, 2013 at The Stone, New York.
Recorded by Don Mount.

Gerald Cleaver (drums) and Han-earl Park (guitar).

Music by Gerald Cleaver and Han-earl Park
Recorded live, August 13, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Don Mount.

Mathilde 253 (Han-earl Park: guitar; Charles Hayward: drums; and Ian Smith: trumpet).

Music by Mathilde 253.
Recorded live, March 30, 2011 at Half Moon Theatre, Cork.
Presented with funding from the Music Network Performance and Touring Award, and support from the UCC School of Music and the Cork Opera House.
Recorded by John Hough. Live sound by Alex Fiennes.

[About this project…]

thanks: Park-Pride-Sikora (Spectrum, NYC) and Velez-Wright-Drury-Park-Tabuenca (Soup and Sound, Brooklyn)

Thanks to all involved in the April 2 and April 3 performances. Thanks to the hosts at Spectrum (Glenn Cornett and the multi-talented Lester St. Louis), and at Soup and Sound (I thank the Cosmos for people like Andrew Drury and Alissa Schwartz who open their homes, and welcome the arts and artists). Thanks to the efforts of the multiple documentarists at the events: Kevin Reilly, Don Mount, Michael Lytle, Adrian Knight and Lawrence de Martin (who provided the experimental speaker cabinet for the Spectrum performance).

I take my hat off to all the musicians who shared the stage: Javier Areal Velez, Jack Wright, Luis Tabuenca and Andrew Drury, and a big, big thanks to Mike Pride and Catherine Sikora for their awesome musicianship and peerless inventiveness. Finally, thanks to all who came to listen!

Next up: performance in Cork, May 3 as part of Sonic Vigil 8. See the performance diary for up-to-date info.

video: Gowanus Company at Douglass Street Music Collective, Brooklyn

Scott Friedlander has uploaded video recordings of Gowanus Company (November 26, 2013). As I wrote previously:

Big, heart-felt thanks to Kyoko and Josh for organizing the event. I’m touched, and could not have asked for a better send-off. Thanks to everyone who made music, and for creating that welcoming, friendly vibe. (And a particular pleasure to finally perform with Kyoko, Ken and Fay!) And thanks again to Scott Friedlander for the documentation.

From that vocal/guitar chorus (Kyoko, Viv, Fay, Nick and I) to the jazz racket of Ken and I joined by Tom and Ingrid… my spirits have been lifted!

Gowanus Company was curated by Kyoko Kitamura, Josh Sinton and Han-earl Park. Performers were Dan Blake (saxophones), Olie Brice (double bass), Viv Corringham (voice), Nick Didkovsky (guitar), Michael Evans (drums), Ken Filiano (double bass), Christopher Hoffman (’cello), Jason Kao Hwang (violin), Kyoko Kitamura (voice), Ingrid Laubrock (saxophone), Jeremiah Lockwood (voice and guitar), Russ Lossing (piano), Han-earl Park (guitar), Tom Rainey (drums), Josh Sinton (saxophone) and Fay Victor (voice). [Details…]

farewell, Brooklyn, it’s been a blast

Let’s start with a kind of personal Top Ten. In no particular order: Han-earl Park with Ingrid Laubrock; with Tim Perkis and Harris Eisenstadt; as part of Eris 136199 with Nick Didkovsky and Catherine Sikora; with Louise Dam Eckardt Jensen and Michael Evans; Gerald Cleaver; Tom Blancarte; Dominic Lash; Catherine Sikora and Josh Sinton; and with Evan Parker, Brooklyn and New York, 2012–2013. Videos by Scott Friedlander, Don Mount and Kevin Reilly.

I moved to Brooklyn back in December 2011, and I’m grateful and privileged to have been part of, even briefly, such a gracious, vibrant, creative, fun and welcoming community.

I’m particularly indebted to Andrew, Jesse, Michael, Adam, Anna and Andrea for introducing me to the (cultural) geography/neighborhood(s); to Bruce, Wadada and Ras who gave me my first few gigs; and to Tim and Evan for offering me sideman gigs. And a very big thanks to Josh, Catherine and Nick for much of the above, and for collaborating on some long-term projects. To everyone, I hope to repay the your generosity (and hope to catch up when I’m back in Brooklyn/NYC).

Now back in Cork, and, for what feel like the first time in a long time, I’m arriving without a gig in town (and, to my surprise, I’m not too unhappy about that). Some plans ahead (solo performance at SARC for starters), fingers crossed, something will work out.

Anyway, as posted earlier, I’m seeking performances for Numbers (Richard Barrett and Han-earl Park), Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) and Mathilde 253 (Charles Hayward, Han-earl Park and Ian Smith). Interested promoters, venues, festivals and sponsors, please get in touch! [Details…]

Free Jazz: Catherine Sikora, Han-earl Park and François Grillot, ‘Tracks in the dirt’

Catherine Sikora, Han-earl Park and François Grillot, ‘Tracks in the dirt’ (copyright 2013, Clockwork Mercury Press)
Design and artwork by Eric Mingus (© 2013 Clockwork Mercury Press)

Paul Acquaro at Free Jazz Blog writes that Catherine Sikora, Han-earl Park and François Grillot’s Tracks in the dirt (Clockwork Mercury Press 003) is an “enjoyable listen for open ears”, and that “chance encounters and smart musical ideas that make this recording so effective.”

The opening track, ‘Helix’ contains some of my favorite moments of the recording. Sikora’s soprano sax sounds like it is drawing a line from each hit of the bass, with Park coloring in the spaces between. Park, with whom she also released Cork 04-04-11, is an understated and sympathetic accompanist throughout.

Feel the force of Sikora’s playing too—halfway through the second track, ‘The Chopping Block’ her soprano is clear and cutting, the melodic lines spinning and swirling around Park’s textures and Grillot’s rhythmic pulse. [Read the rest…]

Paul Acquaro (Free Jazz)

[More about this recording…] [All reviews…]

Also by Catherine Sikora and Han-earl Park

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

thanks: Eris 136199 (DMG, NYC) and Park-Sikora-Sinton (Harvestworks, NYC)

Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo copyright 2013 Emilio Vavarella.
Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo © 2013 Emilio Vavarella.

Acknowledgments re the, for the time being, final performances of two projects: Eris 136199 on October 27, and Metis 9 on October 29. My hat goes off to my comrades Nick Didkovsky and Catherine Sikora who make Eris 136199 the site of unexpected choices—of twists and turns. We’d thought our previous performance was weird, this one warranted a new term:

weirderation wir-də-ˈrā-shən noun. process that results in something just that little bit weirder with each iteration. [compare examples A and B]

I am greatly indebted to Catherine Sikora and Josh Sinton for doing the heavy lifting, and turning my barebone sketches and speculations into music; for engageing intelligently, adventurously and imaginatively with the context at hand. These past months have been a learning experience for me as tactician, and I couldn’t have asked for better teachers.

Thanks to Bruce and Manny at the World’s Best Record Store for hosting us, and for their unshakable advocacy of new music. Thanks to Carol Parkinson, Hans Tammen, Kevin Ramsay, Emilio Vavarella and everyone at Harvestworks for hosting our performance, their enthusiasm, and for their support. Thanks again to Kevin Reilly for his video documentation of the DMG performance [watch/listen…], and, as always, thanks to all who came to listen and witness the musicking—real-time and interactive.

Next up: performance in Pittsburgh (November 7) as part of Crucible Sound, then back to New York (November 17) for a duo performance with Viv Corringham [canceled…] back to Brooklyn (November 20) for a duo performance with Anna Webber. See the performance diary for up-to-date info.

Bird is the Worm: Work Spaces

Han-earl Park’s work space, Brooklyn
As Dave Sumner describes it, Work Spaces is “a series of photos of artist work spaces… the places where the creative process takes shape and form,” and in this edition features:

Han-earl Park work space in his Kensington, Brooklyn apartment. According to Park, it is also where Gisel the cat performs her role as music critic. [More…]

Also featured as part of Work Spaces is Catherine Sikora, Ian Smith and Han-earl Park’s download album which Sumner previously reviewed, and on this occasion describes as “improvised music, straight from the heart”. [More about this recording…] [All reviews…]

Also available for download [more…]

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.