Thanks to the efforts of the Downtown documentarists—Don Mount, Kevin Reilly and Scott Friedlander—there’s been a lot of changes to my YouTube channel and playlists since my last announcement almost a year ago. In terms of project specific playlists, I’ve updated the Eris 136199 playlist [watch…], and created one for Metis 9 [watch…]
video: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at Douglass Street Music Collective, Brooklyn
I’ve uploaded the video of ‘Monopod’ from the June 5 performance by Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora). With the second improvisation, already uploaded back in June, you can now hear/watch the entire set. Thanks again to Scott Friedlander for the videography. ‘Monopod’ is dedicated to Don Mount.
Whether it’s the most creative interjections from Catherine, the merging of Nick and Catherine’s sounds, the moments of Roscoe-Mitchell-plays-the-music-of-Napalm-Death, or something akin to the sound of a broken ECM record, I’m enormously proud of this performance and this ensemble.
Eris 136199 is next performing on October 27, 2013 at Downtown Music Gallery, NYC. See the performance diary for up-to-date info.
site update: scrapbook redux
Just a summary of the updates that have been accumulating in my scrapbook since the last overhaul. Here’s some of the more recent additions. Enjoy! All music and audio recordings © + ℗ their respective owners.
Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones).
Recorded live, June 5, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Scott Friedlander.
Numbers: Richard Barrett (electronics) and Han-earl Park (guitar).
Recorded March 10, 2011 at the Institute of Sonology, Den Haag.
Audio clip courtesy of Creative Sources Recordings. ℗ 2012 Creative Sources Recordings.Han-earl Park
Recorded by Richard Barrett and Han-earl Park. Mixed by Richard Barrett.
Ingrid Laubrock (saxophone) and Han-earl Park (guitar).
Recorded live, May 16, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Don Mount.
Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (clarinet and saxophone).
Recorded live, March 26, 2013 at Freddy’s Bar, Brooklyn.
Performance presented as part of On The Way Out curated by Michael Evans and Anders Nilsson.
Recorded by Don Mount.
Michael Evans (drums), Louise Dam Eckardt Jensen (saxophone and flute) and Han-earl Park (guitar).
Recorded live, January 20, 2013 at Downtown Music Gallery, New York.
Recorded by Kevin Reilly.
Mark Trayle (electronics), Gascia Ouzounian (violin), Chris Brown (piano), Paul Stapleton (percussion), Dan Goren (trumpet), Don Nichols (percussion), Simon Rose (saxophone), Gustavo Aguilar (percussion), Han-earl Park (guitar), Ulrich Mitzlaff (’cello), Tasos Stamou (zither), Dominic Lash (double bass), Christopher Williams (double bass), Nuno Rebelo (guitar), Richard Scott (synthesizer), Steven Davis (drums), Pedro Rebelo (piano), Justin Yang (saxophone) and Franziska Schroeder (saxophones).
Recorded live, November 7, 2010 at the Sonic Arts Research Center, Belfast.
Performance presented as part of Sonorities 2010.
thanks: Eris 136199 (DSMC, Brooklyn) and Lytle-Park (ABC No Rio, NYC)
Nick Didkovsky: “Wow. That was weird!”
Belated set of thanks for the performances earlier this month (June 5th and 9th). The biggest thanks to Nick Didkovsky and Catherine Sikora who made this Eris 136199’s stragest performance so far, with unexpected and unpredictable turns and juxtapositions; and big thanks to Michael Lytle who invited me to join him for a duo performance at ABC No Rio. Thanks also to Blaise Siwula for organizing and curating COMA: Citizens Ontological Music Agenda, and to the other musicians who shared the bill and both events. In particular, kudos to Ras Moshe, Shayna Dulberger and John Pietaro for stepping up and contributing a fantastic set (plus John said one of the nicest things about my playing after Eris’ set: “You’re the Rashied Ali of the group!”); and to Craig Flanagin and Frank Marino for their great vibe on and off stage. Special thanks to Scott Friedlander for his indefatigable and expert documentation—audio, video and photographic—and a hat tip to Don Mount for helping Eris come up with a title for our first improvisation. Last but not least, thanks to all who came to listen and witness the noise, complexity and play.
Next up: performance in July with Swim This (Nick Didkovsky: guitar; Gerry Hemingway: drums; and Michael Lytle: bass clarinet). See the performance diary for up-to-date info.
recording: $100 Guitar Project
Today, for the $100 Guitar Project, I recorded a sixty-seven second track with the title
apophenia: A atomic symphony in 10 movements
ii you seek
iii a comfortable spot to listen
iv to this
v track the sofa perhaps
vi or the
vii floor however
viii standing hand
ix suspended over the volume
x control you
xi find that
xii it is
“Charmed by its [the $100 guitar’s] no-name vibe and single bridge pickup that looks like an old radio,” Nick Didkovsky and Chuck O’Meara masterminded the $100 Guitar Project which now involves some 68+ guitarists. Bridge Records will release the project as a double CD with royalties to go to CARE. [More about this project…]
Big thanks to Scott Friedlander for the recording and the photography, and thanks to Nick and Chuck for the invitation to join this project.