Tag: YouTube

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online: Paul Dunmall and Han-earl Park, ‘Boolean Transforms’

The entire catalog of Paul Dunmall’s record label, DUNS Limited Edition, is now online:

Duns Limited Edition has ceased production, but during its lifetime it was pretty prolific. Having founded the label himself, Paul relished in the freedom to record and release on cdr a multitude of projects, playing with like-minded, creative musicians at his invitation. All the music is totally freely improvised. [Read the rest…]

[DUNS on YouTube…] [Facebook…]

And, as part of that catalog, you’ll find Boolean Transforms (DLE-067) by Paul Dunmall and Han-earl Park recorded way back in November 2009. Physical copies of this and some other DUNS albums are still available from Downtown Music Gallery and from Mind Your Own Music, and you can view some video footage from this concert.

Also by Paul Dunmall and Han-earl Park

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.

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site update: scrapbook redux reboot

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Another summary of the updates to my scrapbook since the last review. A few newer clips from Brooklyn and New York which include some of the best music I’ve been involved in (the duo with Gerald Cleaver, in particular, has, for me, some of my best playing), plus a blast from the past: Mathilde 253 in Cork. With the latest updates, I’ve also taken the opportunity to split the scrapbook across two pages (with so much embedded media, it was getting near impossible for those with slower computers and/or connections to load the page).

Please note that all music and audio recordings © + ℗ their respective owners (i.e. these are not covered by a Creative Commons License).

Han-earl Park (guitar), Catherine Sikora (saxophones) and Mike Pride (drums).

Music by Han-earl Park, Catherine Sikora and Mike Pride.
Recorded live, April 2, 2014 at Spectrum, New York.
Recorded by Don Mount.

Evan Parker (saxophone) and Han-earl Park (guitar), plus Peter Evans (trumpet) and Okkyung Lee (’cello).

Music by Evan Parker and Han-earl Park, plus Peter Evans and Okkyung Lee.
Recorded live, September 19, 2013 at The Stone, New York.
Recorded by Don Mount.

Gerald Cleaver (drums) and Han-earl Park (guitar).

Music by Gerald Cleaver and Han-earl Park
Recorded live, August 13, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Don Mount.

Mathilde 253 (Han-earl Park: guitar; Charles Hayward: drums; and Ian Smith: trumpet).

Music by Mathilde 253.
Recorded live, March 30, 2011 at Half Moon Theatre, Cork.
Presented with funding from the Music Network Performance and Touring Award, and support from the UCC School of Music and the Cork Opera House.
Recorded by John Hough. Live sound by Alex Fiennes.

[About this project…]

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thanks: Park-Pride-Sikora (Spectrum, NYC) and Velez-Wright-Drury-Park-Tabuenca (Soup and Sound, Brooklyn)

Thanks to all involved in the April 2 and April 3 performances. Thanks to the hosts at Spectrum (Glenn Cornett and the multi-talented Lester St. Louis), and at Soup and Sound (I thank the Cosmos for people like Andrew Drury and Alissa Schwartz who open their homes, and welcome the arts and artists). Thanks to the efforts of the multiple documentarists at the events: Kevin Reilly, Don Mount, Michael Lytle, Adrian Knight and Lawrence de Martin (who provided the experimental speaker cabinet for the Spectrum performance).

I take my hat off to all the musicians who shared the stage: Javier Areal Velez, Jack Wright, Luis Tabuenca and Andrew Drury, and a big, big thanks to Mike Pride and Catherine Sikora for their awesome musicianship and peerless inventiveness. Finally, thanks to all who came to listen!

Next up: performance in Cork, May 3 as part of Sonic Vigil 8. See the performance diary for up-to-date info.

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video: Gowanus Company at Douglass Street Music Collective, Brooklyn

Scott Friedlander has uploaded video recordings of Gowanus Company (November 26, 2013). As I wrote previously:

Big, heart-felt thanks to Kyoko and Josh for organizing the event. I’m touched, and could not have asked for a better send-off. Thanks to everyone who made music, and for creating that welcoming, friendly vibe. (And a particular pleasure to finally perform with Kyoko, Ken and Fay!) And thanks again to Scott Friedlander for the documentation.

From that vocal/guitar chorus (Kyoko, Viv, Fay, Nick and I) to the jazz racket of Ken and I joined by Tom and Ingrid… my spirits have been lifted!

Gowanus Company was curated by Kyoko Kitamura, Josh Sinton and Han-earl Park. Performers were Dan Blake (saxophones), Olie Brice (double bass), Viv Corringham (voice), Nick Didkovsky (guitar), Michael Evans (drums), Ken Filiano (double bass), Christopher Hoffman (’cello), Jason Kao Hwang (violin), Kyoko Kitamura (voice), Ingrid Laubrock (saxophone), Jeremiah Lockwood (voice and guitar), Russ Lossing (piano), Han-earl Park (guitar), Tom Rainey (drums), Josh Sinton (saxophone) and Fay Victor (voice). [Details…]

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farewell, Brooklyn, it’s been a blast

Let’s start with a kind of personal Top Ten. In no particular order: Han-earl Park with Ingrid Laubrock; with Tim Perkis and Harris Eisenstadt; as part of Eris 136199 with Nick Didkovsky and Catherine Sikora; with Louise Dam Eckardt Jensen and Michael Evans; Gerald Cleaver; Tom Blancarte; Dominic Lash; Catherine Sikora and Josh Sinton; and with Evan Parker, Brooklyn and New York, 2012–2013. Videos by Scott Friedlander, Don Mount and Kevin Reilly.

I moved to Brooklyn back in December 2011, and I’m grateful and privileged to have been part of, even briefly, such a gracious, vibrant, creative, fun and welcoming community.

I’m particularly indebted to Andrew, Jesse, Michael, Adam, Anna and Andrea for introducing me to the (cultural) geography/neighborhood(s); to Bruce, Wadada and Ras who gave me my first few gigs; and to Tim and Evan for offering me sideman gigs. And a very big thanks to Josh, Catherine and Nick for much of the above, and for collaborating on some long-term projects. To everyone, I hope to repay the your generosity (and hope to catch up when I’m back in Brooklyn/NYC).

Now back in Cork, and, for what feel like the first time in a long time, I’m arriving without a gig in town (and, to my surprise, I’m not too unhappy about that). Some plans ahead (solo performance at SARC for starters), fingers crossed, something will work out.

Anyway, as posted earlier, I’m seeking performances for Numbers (Richard Barrett and Han-earl Park), Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) and Mathilde 253 (Charles Hayward, Han-earl Park and Ian Smith). Interested promoters, venues, festivals and sponsors, please get in touch! [Details…]

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thanks: Eris 136199 (DMG, NYC) and Park-Sikora-Sinton (Harvestworks, NYC)

Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo copyright 2013 Emilio Vavarella.
Han-earl Park, Catherine Sikora and Josh Sinton (Harvestworks, NYC, October 29, 2013). Photo © 2013 Emilio Vavarella.

Acknowledgments re the, for the time being, final performances of two projects: Eris 136199 on October 27, and Metis 9 on October 29. My hat goes off to my comrades Nick Didkovsky and Catherine Sikora who make Eris 136199 the site of unexpected choices—of twists and turns. We’d thought our previous performance was weird, this one warranted a new term:

weirderation wir-də-ˈrā-shən noun. process that results in something just that little bit weirder with each iteration. [compare examples A and B]

I am greatly indebted to Catherine Sikora and Josh Sinton for doing the heavy lifting, and turning my barebone sketches and speculations into music; for engageing intelligently, adventurously and imaginatively with the context at hand. These past months have been a learning experience for me as tactician, and I couldn’t have asked for better teachers.

Thanks to Bruce and Manny at the World’s Best Record Store for hosting us, and for their unshakable advocacy of new music. Thanks to Carol Parkinson, Hans Tammen, Kevin Ramsay, Emilio Vavarella and everyone at Harvestworks for hosting our performance, their enthusiasm, and for their support. Thanks again to Kevin Reilly for his video documentation of the DMG performance [watch/listen…], and, as always, thanks to all who came to listen and witness the musicking—real-time and interactive.

Next up: performance in Pittsburgh (November 7) as part of Crucible Sound, then back to New York (November 17) for a duo performance with Viv Corringham [canceled…] back to Brooklyn (November 20) for a duo performance with Anna Webber. See the performance diary for up-to-date info.

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thanks: Parker-Park (The Stone, NYC), Park-Sikora-Sinton (DSMC, Brooklyn) and Park-Parkins (The Living Gallery, Brooklyn)

Three gigs; and I couldn’t ask for a more varied and musically valuable seven days.

I learned a heck of a lot (about my capabilities as an improviser, and about the social dynamics of interactive play) performing with Evan Parker. Still reeling from the experience, I’m grateful for the opportunity to play with Mr Parker again, and to have sat in with the Bleeding Edge Trio.

The performance with Catherine Sikora and Josh Sinton was the most craftily accomplished. We’ve been engineering, navigating and negotiating these improvisative, tactical considerations since February, and it’s been a pleasure and a privilege to be working with two imaginative and gutsy performers. I expect our performance at Harvestworks in October will be something else. (Plus thanks to Josh for the post-gig reflections.)

If I had to choose just one of these gigs as a stand-out though, it might have to be the duo with the stupendously creative Andrea Parkins. Insanely fun! Despite (or perhaps becuase of) severe technical limitations, I found myself in some very odd places. (Andrea was one of the first NYC people I contacted before moving here, so this performance was looong overdue.) Let’s play again. I had a blast.

Big thanks to coconspirators Michael Foster and Lisa Mezzacappa, to Mike Pride for the funniest post-gig story telling, and to the documetarists Don Mount and Jeremiah Cymerman. Finally, special thanks to Louise and Tom for bringing their new family to The Stone.

Next up: performances coming up in October as part of Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora), and with Catherine Sikora and Josh Sinton for another round with Metis 9. See the performance diary for up-to-date info.

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video recordings: YouTube playlist… redux

Thanks to the efforts of the Downtown documentarists—Don Mount, Kevin Reilly and Scott Friedlander—there’s been a lot of changes to my YouTube channel and playlists since my last announcement almost a year ago. In terms of project specific playlists, I’ve updated the Eris 136199 playlist [watch…], and created one for Metis 9 [watch…]

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video: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at Douglass Street Music Collective, Brooklyn

I’ve uploaded the video of ‘Monopod’ from the June 5 performance by Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora). With the second improvisation, already uploaded back in June, you can now hear/watch the entire set. Thanks again to Scott Friedlander for the videography. ‘Monopod’ is dedicated to Don Mount.

Whether it’s the most creative interjections from Catherine, the merging of Nick and Catherine’s sounds, the moments of Roscoe-Mitchell-plays-the-music-of-Napalm-Death, or something akin to the sound of a broken ECM record, I’m enormously proud of this performance and this ensemble.

Eris 136199 is next performing on October 27, 2013 at Downtown Music Gallery, NYC. See the performance diary for up-to-date info.

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thanks: Gerald Cleaver and Han-earl Park at Douglass Street Music Collective, Brooklyn

Like I said last time, necessity is the mother of invention. Two things sparked this second duo*3 event at DSMC: Gerald Cleaver was going to be available (been trying to corner him with a gig since January), and Viv Corringham had just moved to New York. I then asked Chris Pitsiokos if he’d like to contribute a set after Anna Webber had to drop out (as much as I enjoyed Chris and Philip White’s set, and I wouldn’t substitute it for anything else, would loved to have heard what Anna might have brought to the table—next time). And like the last duo*3 event, because of the performers, the results were unimaginably better than the minimal curatorial hand I played.

So big, big thanks to all the performers at the August 13 event: to Chris and Philip White for their sense of play (and for consistently hitting the resonance frequency of the DSMC buzzer); to Viv and Andrea Parkins for a performance full of humor, and a kind of cargo-cult elegance; and to Gerald for his limitless imagination, for the 45 minute creative, musical and physical workout, and for making the set sound just that much better. And kudos again to Don Mount for the indefatigable work as video documentarist [watch/listen…].

Next up: performances coming up in September with Evan Parker as part of his residency at The Stone, and with Catherine Sikora and Josh Sinton playing Metis 9. See the performance diary for up-to-date info.

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site update: scrapbook redux

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Just a summary of the updates that have been accumulating in my scrapbook since the last overhaul. Here’s some of the more recent additions. Enjoy! All music and audio recordings © + ℗ their respective owners.

Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones).

Music by Eris 136199.
Recorded live, June 5, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Scott Friedlander.

[About this project…]

Numbers: Richard Barrett (electronics) and Han-earl Park (guitar).

Music by Richard Barrett and Han-earl Park.
Recorded March 10, 2011 at the Institute of Sonology, Den Haag.
Audio clip courtesy of Creative Sources Recordings. ℗ 2012 Creative Sources Recordings.Han-earl Park
Recorded by Richard Barrett and Han-earl Park. Mixed by Richard Barrett.

[About this project…] [Get the CD…]

Ingrid Laubrock (saxophone) and Han-earl Park (guitar).

Music by Ingrid Laubrock and Han-earl Park.
Recorded live, May 16, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Don Mount.

Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (clarinet and saxophone).

Music by Han-earl Park, Catherine Sikora and Josh Sinton.
Recorded live, March 26, 2013 at Freddy’s Bar, Brooklyn.
Performance presented as part of On The Way Out curated by Michael Evans and Anders Nilsson.
Recorded by Don Mount.

[About this project…]

Michael Evans (drums), Louise Dam Eckardt Jensen (saxophone and flute) and Han-earl Park (guitar).

Music by Michael Evans, Louise Dam Eckardt Jensen and Han-earl Park.
Recorded live, January 20, 2013 at Downtown Music Gallery, New York.
Recorded by Kevin Reilly.

Mark Trayle (electronics), Gascia Ouzounian (violin), Chris Brown (piano), Paul Stapleton (percussion), Dan Goren (trumpet), Don Nichols (percussion), Simon Rose (saxophone), Gustavo Aguilar (percussion), Han-earl Park (guitar), Ulrich Mitzlaff (’cello), Tasos Stamou (zither), Dominic Lash (double bass), Christopher Williams (double bass), Nuno Rebelo (guitar), Richard Scott (synthesizer), Steven Davis (drums), Pedro Rebelo (piano), Justin Yang (saxophone) and Franziska Schroeder (saxophones).

Ensemble led by Evan Parker.
Recorded live, November 7, 2010 at the Sonic Arts Research Center, Belfast.
Performance presented as part of Sonorities 2010.
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thanks: Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle) with Han-earl Park at Douglass Street Music Collective, Brooklyn

Thanks to everyone who contributed to the noise at the July 26 event. I was bowled over by the awesome time-and-motion-studies of Patricia Franceschy and Kate Gentile (Kate’s composition, in particular, was a highlight). I take my hat off to Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle) for their playfully raucous set, and for inviting me to join them on stage. Thanks again to Don Mount for the videography. Last but not least, thanks to all who came to witness the noisy bodies in motion!

Next up: an evening of duos, Tuesday, August 13, with Chris Pitsiokos (saxophone) and Philip White (electronics); Gerald Cleaver (drums) and Han-earl Park (guitar); and Viv Corringham (voice and electronics) and Andrea Parkins (accordion and electronics). See the performance diary for up-to-date info.